Religious beliefs in public memory has been appeared in myths and symbols of artistic works. So, In this paper we study the interval connections among visual, ideological and aesthetics symbols and the major beliefs and symbols in them has been cansidered. Many of these symbols had so many interpretations which comes from magic or ritual, so, in this research, we study Mithraism and Zoroastrian religions and understanding of thoughts and works with the name of art in religion. For this consideration, some interpretations, comparisons and suggestions of symbols has been used, also imaginable references has been expressed here and the hidden meaning full layers for bases of beliefs can be found in background of these symbols, is the sign of constructive roles of Iranian religions.This paper is an attempt for survey of Iranian identity by relying on great role of the reminder symbols of Mithraism and Zoroastrian religions in the way that we can use them in contemporary art and for performing the role of a media in the society and help to improve and support the solidarity arts of national culture of Iranians.In this survey we choose a group of Iranian graphic artists who are in different ages of Iranian graphic art, include: professor Gobad Shiva, professor Farshid Mesghali, Mr Farzad Adibi, Mr Reza Abedini, Mr Iman Rad and we study their art warks, due to the symbls of religious art works, as a result, we obtain some data that show them in a schedele.