Many scholars have come to the conclusion that the passage from rural life and housing in many cities have eroded the traditions of traditional social units or have led to oblivion. In the course of such cultural changes, local music is always one of the most enduring species. Perhaps one of these disadvantages and a wider look at the changes is the beginning of sound recording technology from the late nineteenth century. Evidence of this claim should be found on the subject when people were forced to listen to music in a specific place at a certain time. Otherwise, anyone who was interested in this art should have learned the fan of music to enjoy music. In this article tries to address the various aspects of these issues in light of the importance of the subject and focusing on this principle. For this purpose, the above discussion will be examined from two perspectives: In the first part, using Appadurai's theory, the leading thinker in the field of globalization, the issue of changes in the cultural and artistic system with a focus on folk music is examined and in this The issue of change in five perspectives includes: Ethnic, technical, economic, financial and media perspectives outlook are reviewed based on Appadura's comments,and in the second part, a linguistic sample from the Alamut area from the perspective of a musical folk is analyzed, which describes the factors Involved in its various layers, the details and details of this folklore type are put into a critical mass