From view of cultural background, Khagani is one of the prominent Persian poets. Because of this and Shah names importance in cultural-literary enrichment of subsequent works and some other reasons and motivations, Khaganis works (poetical works (divan), Tohfatol-eragayn and epistolary writings monshaat) is full of various Shahnames allusions. Meanwhile, there are some allusions called rare allusions which can be divided into two parts. First, allusions whose story origin is known. Second, allusions whose source is unknown and technically known as wandering allusions. Khagani has used Shah names allusions for ((wandering allusions)) and various purposes such as: explanation of didactic subject, imagination, making metonymy and proverb, his own description and sometimes self-praise, description in worldly sonnets and finally praise of kings in his elugies, frequency of praised kings similarity to Shahnames characters is more than preference of them to Shahnames characters and probably influence of Iranian culture in Sharvan (Khaganis birthplace) and praised kings interest in Iran and Shahname has affected this respectful attitude.
Most reflections of Shah names allusions in Khganis works is in this order: poetical works (divan) epistolary writings (Monshaat) and Tohfatol-eragayn.