Structure and visual elements of Halilrud and Jiroft stone containers

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Azizi Yousefkand Alireza; Faryabi Youssef; barsam Massoumeh

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Journal: ISLAMIC ART Year:2019 | Volume:15 | Issue:34 Page(s): 112-128

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Title

Structure and visual elements of Halilrud and Jiroft stone containers

Author(s)

Azizi Yousefkand Alireza | Faryabi Youssef | barsam Massoumeh | Issue Writer Certificate

Keywords

visual elementsQ1

visual communicationQ1

stone dishesQ1

Halil RiverQ1

Abstract

Not long after the discovery of the Halilud (Jiroft) civilization, much research has been done on this civilization and the study of the structure of motifs on recent works. Given the lack of written information and sufficient historical evidence from this civilization and its place in the history of ancient Iranian art, articles on the subject can be a good source of inspiration and inspiration., Our knowledge, technical know-how, and so on. The motifs used on the works are an important part of ancient Iranian art. The motifs of pottery, and many of which are decorated with very beautiful themes, have always been at odds with the worldview, symbolic concepts, and cultural connections of societies in times past. The purpose of this research is to study the visual structure of decorative motifs (technical knowledge of aesthetics) on the found works of Jiroft civilization and to question their aesthetic quality. As well as studying the visual structure of the motifs used on the works, we can reveal the visual sensibilities of the creators of these works on the beautiful, the principled and precise application of aesthetic elements (technical knowledge) such as rhythm, symmetry, balance, proportion, concentration, balance and so on. The stone artifacts of Jiroft civilization are widespread and it is important to note that the people of this civilization, in addition to the functional aspects of everyday life, use various motifs (geometric, human, plant, animal, thematic and symbolic) on these works. They have tried to satisfy their aesthetic needs. The method of data collection in this article is library studies and field research through objective observation and research method is descriptive and analytical. It seems that the origin of the visual elements, abstract ideas, and realistic images is derived from the surrounding nature and mythological rituals of the field, along with the sensitive and aesthetic mind of the artists emanating from their culture. Engraving on these containers has been a means of conveying the message in pre-historic times and has been used by artists as the most appropriate canvas for displaying the message and human knowledge. The questions of this study are: 1. What are the elements and qualities of the technical (visual knowledge) used in the design and composition of the decoration of the containers and what are the visual communication techniques associated with the Harylrud stone containers? What is the semantic relationship between the form and content of the motifs in these works? Objectives: 1) To study the visual and visual structure of the motifs in the works of this civilization 2) To analyze the relationship between form and content used in the works of this civilization

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APA: Copy

Azizi Yousefkand, Alireza, Faryabi, Youssef, & barsam, Massoumeh. (2019). Structure and visual elements of Halilrud and Jiroft stone containers. ISLAMIC ART, 15(34 ), 112-128. SID. https://sid.ir/paper/136730/en

Vancouver: Copy

Azizi Yousefkand Alireza, Faryabi Youssef, barsam Massoumeh. Structure and visual elements of Halilrud and Jiroft stone containers. ISLAMIC ART[Internet]. 2019;15(34 ):112-128. Available from: https://sid.ir/paper/136730/en

IEEE: Copy

Alireza Azizi Yousefkand, Youssef Faryabi, and Massoumeh barsam, “Structure and visual elements of Halilrud and Jiroft stone containers,” ISLAMIC ART, vol. 15, no. 34 , pp. 112–128, 2019, [Online]. Available: https://sid.ir/paper/136730/en

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