MANUSCRIPTS OF THE QUR’ANS CONSERVED IN ASTAN QODS-RAZAVI IN THE FIFTH SIXTH/ELEVENTH AND TWELFTH CENTURIES

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FARASAT M.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

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Journal: ISLAMIC ART Year:2007 | Volume:3 | Issue:6 Page(s): 7-24

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Title

MANUSCRIPTS OF THE QUR’ANS CONSERVED IN ASTAN QODS-RAZAVI IN THE FIFTH SIXTH/ELEVENTH AND TWELFTH CENTURIES

Author(s)

FARASAT M. | Issue Writer Certificate

Keywords

THE LIBRARY OF ASIAN QODS RAZAVIQ3

MANUSCRIPTS OF OUR'ANSQ3

CALLIGRAPHYQ2

ILLUMINATIONQ2

Abstract

Calligraphy and book binding is considered as one of the most excellent and superlative aspects of Islamic art and at all times enjoyed a prominent position. There is no doubt that this ancient art was utilized in the book binding of the holy Our'an and in the inscription of the divine words, applied in a glorious and beautiful manner.Enthusiasm in CALLIGRAPHY which is considered as a representation of faith has created remarkable works of art that have aroused in the field of religious arts till today; moreover, the reason for the durability of these valuable works, after many prolonged centuries, is the special care which is applied in protecting these priceless works of art and also for the purpose of being a sacred holy book. THE LIBRARY OF ASIAN QODS RAZAVI is one of the sites where many valued works of art and Our'an manuscripts are preserved. Among the exquisite Our'an manuscripts left from various eras, the following can be mentioned: seven Our'ans related to the fifth/eleventh century and 38 Our'ans related to the sixth/twelfth century which in total 33 of them are translated and 12 are not translated. This article will focus on seven of the Our'ans from eleventh and fifth/twelfth and sixth centuries, from the point of view of its method of ILLUMINATION, the art of the book, and also the procedures of book binding in these two centuries in an analyzing and comparison process.This article is organized according to the following aims: 1-lntroducing the translated or non-translated Our'an manuscripts of the eleventh and fifth/twelfth and sixth centuries conserved at the library of Astan Ghods Razavi.2-Focusing on the ILLUMINATION, the art of the book, and book binding of the holy Our'an in mentioned centuries.Questions answered throughout the article: 1-What variety of inscriptions and the art of the book are applied in the Qur'ans of THE LIBRARY OF ASIAN QODS RAZAVI in the eleventh and fifth/twelfth and sixth centuries?2-What is the distinctiveness of the ILLUMINATIONs applied on the Qur'ans of these centuries?The compilation of subject matter and data used in this article is extracted from library, record and thesis materials and the conduction of the theme is descriptive, historical and analytical.

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APA: Copy

FARASAT, M.. (2007). MANUSCRIPTS OF THE QUR’ANS CONSERVED IN ASTAN QODS-RAZAVI IN THE FIFTH SIXTH/ELEVENTH AND TWELFTH CENTURIES. ISLAMIC ART, 3(6), 7-24. SID. https://sid.ir/paper/136753/en

Vancouver: Copy

FARASAT M.. MANUSCRIPTS OF THE QUR’ANS CONSERVED IN ASTAN QODS-RAZAVI IN THE FIFTH SIXTH/ELEVENTH AND TWELFTH CENTURIES. ISLAMIC ART[Internet]. 2007;3(6):7-24. Available from: https://sid.ir/paper/136753/en

IEEE: Copy

M. FARASAT, “MANUSCRIPTS OF THE QUR’ANS CONSERVED IN ASTAN QODS-RAZAVI IN THE FIFTH SIXTH/ELEVENTH AND TWELFTH CENTURIES,” ISLAMIC ART, vol. 3, no. 6, pp. 7–24, 2007, [Online]. Available: https://sid.ir/paper/136753/en

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