Differentiation of the meaning of art in the Traditional and modern view from the Coomaraswamy Idea

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ALIPOUR REZA; HATAM GHOLAMALI; BANIARDALAN ESMAEIL; DADASHI IRAJ

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Journal: ISLAMIC ART Year:2018 | Volume:14 | Issue:30 Page(s): 63-75

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Title

Differentiation of the meaning of art in the Traditional and modern view from the Coomaraswamy Idea

Author(s)

ALIPOUR REZA | HATAM GHOLAMALI | BANIARDALAN ESMAEIL | DADASHI IRAJ | Issue Writer Certificate

Keywords

The meaning of artQ1

Traditional artQ1

Modern artQ2

CoomaraswamyQ1

Art for the ArtQ1

Abstract

Many thinkers consider art as a means to perceive the truth and it is the way to achieve the highest human knowledge and epistem, And a kind of epistem that access to it with other means and equipment is impossible. Coomaraswamy is one of the thinkers who coopt this idea. Ananda Coomaraswamy, a thinker of traditionalism, has discussion the concept and meaning of art in his writings. The "art for art" doctrine is one of the most important concepts that Ananda Coomaraswamy has been discussing based on his aesthetic and semantic principles. He has defined art's ultimate goal in traditional attitude. This paper aims to determine the doctrine of art for art based on Ananda Coomaraswamy's idea And by expressing the concept of art from Coomaraswamy's idea, proposes the means of differentiating The meaning of art into a traditional and modern approach. The hypothesis of the article is that based on Coomaraswamy's idea, art in the traditional attitude has a goal other than itself, and negates the ultimate purpose of art for art, which is the basis of thinking in Modern art. Research findings suggest that Art for Coomaraswamy guides the audience for another purpose based on reason and it's as a means that it facilitates. Coomaraswamy considers art as the embodiment of a preconceived form in material and it dominated by tradition and serve it ends considers the meaning and function. In contrast, the effects of the slogan "Art for the Art" in the modern world indicate that the question of the subject and theme makes the work of art meaningless. Also, people's interest in semantic and endemic art is greater. The method of research in this paper has been descriptive-analytic and the data collection is done based on a documentary study. Objective 1. A Study of the Differences Between Traditional and Modern art According to Komarashvami's Comments Problems 1. What are the differences between Traditional art and Modern art based on Coomaraswamy idea? 2. How can the doctrine of Art for the Arts to be explained in the context of Coomaraswamy?

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APA: Copy

ALIPOUR, REZA, HATAM, GHOLAMALI, BANIARDALAN, ESMAEIL, & DADASHI, IRAJ. (2018). Differentiation of the meaning of art in the Traditional and modern view from the Coomaraswamy Idea. ISLAMIC ART, 14(30 ), 63-75. SID. https://sid.ir/paper/136763/en

Vancouver: Copy

ALIPOUR REZA, HATAM GHOLAMALI, BANIARDALAN ESMAEIL, DADASHI IRAJ. Differentiation of the meaning of art in the Traditional and modern view from the Coomaraswamy Idea. ISLAMIC ART[Internet]. 2018;14(30 ):63-75. Available from: https://sid.ir/paper/136763/en

IEEE: Copy

REZA ALIPOUR, GHOLAMALI HATAM, ESMAEIL BANIARDALAN, and IRAJ DADASHI, “Differentiation of the meaning of art in the Traditional and modern view from the Coomaraswamy Idea,” ISLAMIC ART, vol. 14, no. 30 , pp. 63–75, 2018, [Online]. Available: https://sid.ir/paper/136763/en

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