STUDYING THE RASHIDA SHAHANMEH MANUSCRIPT PRESERVED AT THE GOLESTAN PALACE MUSEUM (WITH EMPHASIS ON THE BATTLES OF RUSTAM.)

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SHAHPASAND HOSAINABADI PARVIN

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Journal: ISLAMIC ART Year:2010 | Volume:6 | Issue:11 Page(s): 133-148

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Title

STUDYING THE RASHIDA SHAHANMEH MANUSCRIPT PRESERVED AT THE GOLESTAN PALACE MUSEUM (WITH EMPHASIS ON THE BATTLES OF RUSTAM.)

Author(s)

SHAHPASAND HOSAINABADI PARVIN | Issue Writer Certificate

Keywords

SAFAVID ERAQ3

ISFAHAN PAINTINGQ2

RASHIDA SHAHANMEHQ3

BATTLES OF RUSTAMQ2

GOLESTAN PALACE MUSEUMQ3

Abstract

The symbol of supremacy and political immovability during the reign of Shah Abbas was his favored capital, Isfahan. The city was already a major cultural midpoint prior to the sovereignty of Shah Abbas. However, apart from the architectural and artistic developments of the city, accomplished under the supervision of Shah Abbas; Isfahan became a critical center for trade and merchandise that resembled a new chapter in the social organization of Persia. In the SAFAVID ERA, artists enjoyed an elevated position and became a representative of the art of the age.The Saravid era with Isfahan as its capital city became the birthplace of many reowned magnificent cultural and artistic works of art. Among these the art of the book based on Isfahan school of painting, beholds many valuable illustrated works such as The Shahnameh or "The Book of Kings" by the famous Persian poet, Firdausi is a literary masterpiece that existed in almost every library of the SAFAVID ERA. It represented the dignity of Persian mythology and language; hence, Persian kings prided themselves by ordering copies of the Shahnameh to be illustrated in their behalf so that they may demonstrate the munificence and grandeur of their sovereignty.According to the researches in hand, there are many illustrated Shahnamehs remaining from the Safavid period each representing the painting techniques of the school of Isfahan. Among these, the Rashida Shahnameh can be chosen as the best illustrated manuscript that is currently preserved at GOLESTAN PALACE MUSEUM. The paintings of this manuscript have an exclusive composition that resembles the expertise of the creator; the manuscript also enjoys elegant calligraphy that again is due to dexterity and talent of Persian artists. The manuscript contains over 90 images; however, only those related to the BATTLES OF RUSTAM will be chosen for a detailed analysis based on the techniques of painting.Aims:-A topical and aesthetical study on the paintings of the RASHIDA SHAHANMEH-Investigating the features of the painting school of Isfahan.Questions:-In the illustration of the mentioned manuscript, is composition of higher importance or color?-What are the main techniques of painting in the RASHIDA SHAHANMEH?

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APA: Copy

SHAHPASAND HOSAINABADI, PARVIN. (2010). STUDYING THE RASHIDA SHAHANMEH MANUSCRIPT PRESERVED AT THE GOLESTAN PALACE MUSEUM (WITH EMPHASIS ON THE BATTLES OF RUSTAM.). ISLAMIC ART, 6(11), 133-148. SID. https://sid.ir/paper/136786/en

Vancouver: Copy

SHAHPASAND HOSAINABADI PARVIN. STUDYING THE RASHIDA SHAHANMEH MANUSCRIPT PRESERVED AT THE GOLESTAN PALACE MUSEUM (WITH EMPHASIS ON THE BATTLES OF RUSTAM.). ISLAMIC ART[Internet]. 2010;6(11):133-148. Available from: https://sid.ir/paper/136786/en

IEEE: Copy

PARVIN SHAHPASAND HOSAINABADI, “STUDYING THE RASHIDA SHAHANMEH MANUSCRIPT PRESERVED AT THE GOLESTAN PALACE MUSEUM (WITH EMPHASIS ON THE BATTLES OF RUSTAM.),” ISLAMIC ART, vol. 6, no. 11, pp. 133–148, 2010, [Online]. Available: https://sid.ir/paper/136786/en

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