THE SVMBOLIC DESIGNS OF LOVE ON THE BOOK-BINDINGS OF THE QAJAR PERIOD

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ROSTAMI MOSTAFA; AYATOLLAHI HABIBOLLAH; HARATI MOHAMMAD MAHDI; RAJABI MOHAMMAD ALI

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Journal: ISLAMIC ART Year:2009 | Volume:5 | Issue:9 Page(s): 27-50

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Information Journal Paper

Title

THE SVMBOLIC DESIGNS OF LOVE ON THE BOOK-BINDINGS OF THE QAJAR PERIOD

Author(s)

ROSTAMI MOSTAFA | AYATOLLAHI HABIBOLLAH | HARATI MOHAMMAD MAHDI | RAJABI MOHAMMAD ALI | Issue Writer Certificate

Keywords

SYMBOLIC LOVE PATTERNSQ3

QAJAR BOOK-BINDINGQ3

HUMAN FIGURESQ3

MODEST LINESQ3

IMAGINATIVE SCENESQ3

Abstract

Love is the utmost applied concept in Persian art The divine heart oflove devotes sensation, passion, secret, mystery, splendor, and elevated concepts to the spirit of Persian art. Metaphysical and spiritual traits and the influence of culture and literature have shaped the essence of Persian art by granting it majesty and dignity.Apart from painting and architecture, the presence of this enduring source oflove can also be depicted in Persian book-bindings. Throughout history, book-binding, especially in the Qajar period, has become a foundation for illustrating the affection of the Persian artist, whether earthly or heavenly; and moreover, a source of unique patterns and designs. By means of no hesitation, it is certain that the analysis of these works of art will acquaint us with the ancient culture and civilization of Persia.In addition to the theoretic study of the symbolic contents of love in Persian art, from the viewpoint of traditional art and the link between art and affection; the focal aim of this paper is to classify and analyze the symbolic designs of the QAJAR BOOK-BINDINGs; that are grouped into forms of holy expressions, literary and MODEST LINES, HUMAN FIGURES in various situations and IMAGINATIVE SCENES.Aims:1-Analyzing the symbolic concept of love in Persian art from the aspect of tradition.2-Categorizing the symbolic designs oflove on QAJAR BOOK-BINDINGs.3-Investigating on the major QAJAR BOOK-BINDINGs in Persian collections worldwide.Questions answered throughout the article:1-What are the visible patterns and symbolic designs oflove in Persian art?2-What are the major trait of the QAJAR BOOK-BINDING?

Cites

CLASSIFICATION OF TABRIZ LACQUER BOOK-BINDINGS IN THE QAJAR PERIOD FROM VIEWPOINT OF THE DESIGNS WITH EMPHASIS ON THE WORKS IN MUSEUM OF QORAN AND WRITING OF THE SAHIB-AL-AMR MASJID

References

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APA: Copy

ROSTAMI, MOSTAFA, AYATOLLAHI, HABIBOLLAH, HARATI, MOHAMMAD MAHDI, & RAJABI, MOHAMMAD ALI. (2009). THE SVMBOLIC DESIGNS OF LOVE ON THE BOOK-BINDINGS OF THE QAJAR PERIOD. ISLAMIC ART, 5(9), 27-50. SID. https://sid.ir/paper/136814/en

Vancouver: Copy

ROSTAMI MOSTAFA, AYATOLLAHI HABIBOLLAH, HARATI MOHAMMAD MAHDI, RAJABI MOHAMMAD ALI. THE SVMBOLIC DESIGNS OF LOVE ON THE BOOK-BINDINGS OF THE QAJAR PERIOD. ISLAMIC ART[Internet]. 2009;5(9):27-50. Available from: https://sid.ir/paper/136814/en

IEEE: Copy

MOSTAFA ROSTAMI, HABIBOLLAH AYATOLLAHI, MOHAMMAD MAHDI HARATI, and MOHAMMAD ALI RAJABI, “THE SVMBOLIC DESIGNS OF LOVE ON THE BOOK-BINDINGS OF THE QAJAR PERIOD,” ISLAMIC ART, vol. 5, no. 9, pp. 27–50, 2009, [Online]. Available: https://sid.ir/paper/136814/en

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