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Title

Interpretation of Image in Works of Agha Mirak the Painter

Pages

  99-111

Abstract

 Studying the characteristics and the sentiment of the artists who have had the main role in creating the Shahnameh of Shah Tahmasp is one of the essential issues that could define and clarify the approaches of the expression of the images in this masterpiece of art. The purpose of this study is to introduce and examine the artist Agha Mirak>s perspective, his characteristics, his status and position. This paper, drawing on the writings of the significant contemporaneous authorssuch as AbdiBeykShirazias well as focusing on the works and life of Agha Mirak, attempts to answer the questions regarding the characteristics and beliefs of the artist and the approach toward the narration of images in the Shahnameh. This paper, studies the artist, using the qualitative, monographic, and historical-analytical methods as well as the theories of scholars and the authors of epigraphs based on spiritual thought prevalent at the time. The necessity of this topic is to present and recognize some of the Iranian Islamic artists. The results of the study indicate that the artist, as a treasury of techniques, traditions and artistic memory with a spiritual approach, represents the images of his period. Mirak has a new way to interpret the heritage of painting in his own period; therefore with this method he takes the language of image beyond verbal expression.

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    APA: Copy

    Naderloo, Mostafa, ASHOURI, MOHAMMAD TAGHI, & Khazaie, Mohamad. (2018). Interpretation of Image in Works of Agha Mirak the Painter. NEGAREH, 12(44 ), 99-111. SID. https://sid.ir/paper/142857/en

    Vancouver: Copy

    Naderloo Mostafa, ASHOURI MOHAMMAD TAGHI, Khazaie Mohamad. Interpretation of Image in Works of Agha Mirak the Painter. NEGAREH[Internet]. 2018;12(44 ):99-111. Available from: https://sid.ir/paper/142857/en

    IEEE: Copy

    Mostafa Naderloo, MOHAMMAD TAGHI ASHOURI, and Mohamad Khazaie, “Interpretation of Image in Works of Agha Mirak the Painter,” NEGAREH, vol. 12, no. 44 , pp. 99–111, 2018, [Online]. Available: https://sid.ir/paper/142857/en

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