THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT

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SABAGHPOUR TAYEBBEH; SHAYESTEHFAR MAHNAZ

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Journal: NEGAREH Year:2010 | Volume:5 | Issue:14 Page(s): 39-50

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Information Journal Paper

Title

THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT

Author(s)

SABAGHPOUR TAYEBBEH | SHAYESTEHFAR MAHNAZ | Issue Writer Certificate

Keywords

BIRDQ2

SYMBOLQ2

CARPETQ2

SAFAVID AND QAJARQ2

Abstract

Patterns used in Iran’s CARPETs are full of SYMBOLic concepts and meanings which are fed by the Iranian myths, culture, belief and ideas. The motif of BIRD is among these patterns. BIRD, whether as a general motif or in the form of different especial BIRDs like peacock, simorgh, hoopoe and parrot, was appeared in many of CARPETs of SAFAVID AND QAJAR periods, which are two main and great period in the history of CARPET. In this article, I have tried to explore the SYMBOLic meanings of BIRD in Iranian culture and literature and explain the way it appears in CARPETs. Some of the questions I have addressed are:What is the SYMBOLic meaning of BIRD in Iranian culture and literature?What is the form and situation of BIRD in SAFAVID AND QAJAR CARPETs?In its general meaning, BIRD is the SYMBOL of liberation and freedom. In CARPET, it usually appear in the middle of a garden or orchard which itself represents the paradise. And in particular, each BIRD has its own SYMBOLic meanings which in this essay I point out. The important point regarding the form of these patterns is that BIRDs are drawn in the Qajar period in a more natural and detailed way.The method of this article is descriptive and analytical and the data are gathered in the librarian and field way.

Cites

DRAGON MOTIF AND CONCEPT IN THE IRANIAN AND CHINESE TEXTURES (WITH AN EMPHASIS ON SAFAVID ERA IN IRAN AND THE LATE MING AND EARLY QING ERAS IN CHINA)

References

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APA: Copy

SABAGHPOUR, TAYEBBEH, & SHAYESTEHFAR, MAHNAZ. (2010). THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT. NEGAREH, 5(14), 39-50. SID. https://sid.ir/paper/142861/en

Vancouver: Copy

SABAGHPOUR TAYEBBEH, SHAYESTEHFAR MAHNAZ. THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT. NEGAREH[Internet]. 2010;5(14):39-50. Available from: https://sid.ir/paper/142861/en

IEEE: Copy

TAYEBBEH SABAGHPOUR, and MAHNAZ SHAYESTEHFAR, “THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT,” NEGAREH, vol. 5, no. 14, pp. 39–50, 2010, [Online]. Available: https://sid.ir/paper/142861/en

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