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Title

THE USAGE OF MINIMAL ART IN CITY ENVIRONMENTAL GRAPHIC EMPHASIZING ON URBAN GRAFFITI SAMPLES IN THE CITIES OF IRAN

Pages

  84-102

Abstract

 Centuries ago, human being, having limited facilities, started to create art works on cave WALLs in order to achieve some of his everyday life goals. These art works enjoyed different liturgical and magical accepts. The passage of time, the progress in science and technology, change of the materials, diversity of the tastes and ideas, etc. caused art to be used in different other aspects of life. One of the branches of art which has a wide range of multifaceted definition and performance and run the executable, is GRAFFITI. In today’s world, GRAFFITI is considered as one of the symbols of urban, pop art. Although, Painting, colors and other decorative elements for beautifying the architecture have been commonly used since the ancient era, yet, by the change in the cities, structure and the appearance of new urban terms in modern world, GRAFFITI has also changed. Todays, GRAFFITI is not only found on WALLs and by common tools like brush and paint but we now witness a variety of artworks which can compete with other branches of art such as MINIMAL ART and has borrowed many of their characteristics in creation of new stylish works. This study tries to represent some of the delicacies and capabilities of the modern GRAFFITI and ENVIRONMENTAL GRAPHIC IN IRAN which can be used as a mean to beautify the urban environment -as the main role of this art- decoration and as the structural principals of minimal. This study aims to represent a comparative- analytical study of GRAFFITI with a look at modern arts such as MINIMAL ART and to help to identify GRAFFITI and how to enjoy the capabilities of this art for making the environmental art and WALL artworks dynamic throughout the city. This study is a practical one, based on descriptive, analytical- comparative principles. The collection of data in this study has been library- based and field- based.at first, the MINIMAL ART and GRAFFITI have been introduced and then the similarities and differences between those have been elaborated on and that MINIMAL ART can represent possibilities for GRAFFITI artists by which they can create unique artworks in Iranian GRAFFITI. At the end, the use of MINIMAL ART in modern GRAFFITI and ENVIRONMENTAL GRAPHIC IN IRAN has been discussed on and suggestions for effective use of this art in urban environment of Iran have been represented.

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    Cite

    APA: Copy

    MOZAFARIKHAH, ZEINAB, & KAFSHCHIAN MOGHADAM, ASGHAR. (2012). THE USAGE OF MINIMAL ART IN CITY ENVIRONMENTAL GRAPHIC EMPHASIZING ON URBAN GRAFFITI SAMPLES IN THE CITIES OF IRAN. NEGAREH, 7(22), 84-102. SID. https://sid.ir/paper/142939/en

    Vancouver: Copy

    MOZAFARIKHAH ZEINAB, KAFSHCHIAN MOGHADAM ASGHAR. THE USAGE OF MINIMAL ART IN CITY ENVIRONMENTAL GRAPHIC EMPHASIZING ON URBAN GRAFFITI SAMPLES IN THE CITIES OF IRAN. NEGAREH[Internet]. 2012;7(22):84-102. Available from: https://sid.ir/paper/142939/en

    IEEE: Copy

    ZEINAB MOZAFARIKHAH, and ASGHAR KAFSHCHIAN MOGHADAM, “THE USAGE OF MINIMAL ART IN CITY ENVIRONMENTAL GRAPHIC EMPHASIZING ON URBAN GRAFFITI SAMPLES IN THE CITIES OF IRAN,” NEGAREH, vol. 7, no. 22, pp. 84–102, 2012, [Online]. Available: https://sid.ir/paper/142939/en

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