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Title

SURVEY ON DESIGN SOFT EXTILESIN THE ACHAEMENID, PARTHIAN AND SASANIAN

Pages

  47-57

Abstract

 Always beautiful and rich fabricsis considered as the main features and characteristics of the Orient because dress as a manifestation of art, has originated in East and in some sort indicatestheauthority, pomp and glory of clothing, especially in Asia. In this paper, text ilede signs in three ACHAEMENID, PARTHIAN and Sasanian period shave been studied. For this purpose, first with referring toreligion, culture, symbols and beliefs of each period, important mot ifsused in clothing and TEXTILES during each period has been reviewed and CHANGES of each period has been taken into consideration. Weaver artists of those mentioned eras, while paying attention to the publictaste and public opinion, they were not in differentto Innovations and their efforts were on offering the TEXTILES with high quality and various PATTERNS. That’s why this profession was the last great boom and can be stated based on the diversity of designs, in the ancient Iran, especially in SASSANID era there have been equipped we aving machines.

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    APA: Copy

    MOSAVI, BIBI ZAHRA, & AYATOLAHI, HABIBOLLAH. (2011). SURVEY ON DESIGN SOFT EXTILESIN THE ACHAEMENID, PARTHIAN AND SASANIAN. NEGAREH, 6(17), 47-57. SID. https://sid.ir/paper/142976/en

    Vancouver: Copy

    MOSAVI BIBI ZAHRA, AYATOLAHI HABIBOLLAH. SURVEY ON DESIGN SOFT EXTILESIN THE ACHAEMENID, PARTHIAN AND SASANIAN. NEGAREH[Internet]. 2011;6(17):47-57. Available from: https://sid.ir/paper/142976/en

    IEEE: Copy

    BIBI ZAHRA MOSAVI, and HABIBOLLAH AYATOLAHI, “SURVEY ON DESIGN SOFT EXTILESIN THE ACHAEMENID, PARTHIAN AND SASANIAN,” NEGAREH, vol. 6, no. 17, pp. 47–57, 2011, [Online]. Available: https://sid.ir/paper/142976/en

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