FORMAL STRUCTURE OF NATURAL DESIGNS IN BALUCH WOMEN’S NEEDLEWORK (WITH THE EMPHASIS ON INSTANCES FROM SARĀVĀN TOWNSHIP)

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GHASEMI MARZIEH; MAHMOODI SAKINEH KHATOON; MOUSAVI HAJI SEYYED RASOOL

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Journal: NEGAREH Year:2013 | Volume:8 | Issue:27 Page(s): 60-73

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Title

FORMAL STRUCTURE OF NATURAL DESIGNS IN BALUCH WOMEN’S NEEDLEWORK (WITH THE EMPHASIS ON INSTANCES FROM SARĀVĀN TOWNSHIP)

Author(s)

GHASEMI MARZIEH | MAHMOODI SAKINEH KHATOON | MOUSAVI HAJI SEYYED RASOOL | Issue Writer Certificate

Keywords

NEEDLEWORKQ2

BALUCH WOMENQ2

NATURAL MOTIFSQ2

FORMAL STRUCTUREQ2

SARĀVĀN TOWNSHIPQ2

Abstract

Needle work is one of the commonest and at the same time most outstanding arts among BALUCH WOMEN, in spite of having been greatly well-known, in most of the research done in this field, less and less attention is paid to the FORMAL STRUCTURE of designs. In this research, with the purpose of a better clarification and representation of Baluch NEEDLEWORK art (located in Sistan and Baluchistan province) and its relational aspects of design structures with natural elements, on the premise that nature plays an important role in design of FORMAL STRUCTURE of BALUCH WOMEN’s NEEDLEWORK it is attempted to find answers to these questions as; whether there is basically a relationship between Baluch NEEDLEWORK designs with natural elements or not? If it is so, how can these illustrations leaning on natural elements be categorized? Therefore, in conducting this research descriptive and analytic mehtods are used to find the answers to these questions. In order to do so, Baluch NEEDLEWORK formal design structures are examined in two groups of vegetative and animal designs. The results showed that Baluch needle worker women, in designing NATURAL MOTIFS, not only considered aesthetic relations and theirsurrounding environment, but also paid attention to their functional role proportionate with the geometric design style.

Cites

MOTIFS USED IN THE ART OF SISTAN AND BALUCHESTAN (CASE STUDY: CERAMICS, HAND- WOVEN, ROUDOUZI AND JEWELRY)

References

تحول کاربرد تزیین در سوزن دوزی بلوچ و ترکمن

Cite

APA: Copy

GHASEMI, MARZIEH, MAHMOODI, SAKINEH KHATOON, & MOUSAVI HAJI, SEYYED RASOOL. (2013). FORMAL STRUCTURE OF NATURAL DESIGNS IN BALUCH WOMEN’S NEEDLEWORK (WITH THE EMPHASIS ON INSTANCES FROM SAR?V?N TOWNSHIP). NEGAREH, 8(27), 60-73. SID. https://sid.ir/paper/142982/en

Vancouver: Copy

GHASEMI MARZIEH, MAHMOODI SAKINEH KHATOON, MOUSAVI HAJI SEYYED RASOOL. FORMAL STRUCTURE OF NATURAL DESIGNS IN BALUCH WOMEN’S NEEDLEWORK (WITH THE EMPHASIS ON INSTANCES FROM SAR?V?N TOWNSHIP). NEGAREH[Internet]. 2013;8(27):60-73. Available from: https://sid.ir/paper/142982/en

IEEE: Copy

MARZIEH GHASEMI, SAKINEH KHATOON MAHMOODI, and SEYYED RASOOL MOUSAVI HAJI, “FORMAL STRUCTURE OF NATURAL DESIGNS IN BALUCH WOMEN’S NEEDLEWORK (WITH THE EMPHASIS ON INSTANCES FROM SAR?V?N TOWNSHIP),” NEGAREH, vol. 8, no. 27, pp. 60–73, 2013, [Online]. Available: https://sid.ir/paper/142982/en

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