Study of the Decoration and manuscriptions of the Kharazmshahi Jami Mosque in Gonabad city

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

SHEIKHI ALIREZA; Kholousi Rad Zeynab

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ) Year:2019 | Volume:24 | Issue:3 Page(s): 77-88

Download Full-Text

Persian Verion

View:

848

Download:

Cites:

Information Journal Paper

Title

Study of the Decoration and manuscriptions of the Kharazmshahi Jami Mosque in Gonabad city

Author(s)

SHEIKHI ALIREZA | Kholousi Rad Zeynab | Issue Writer Certificate

Keywords

KhwarazmshahianQ1

Gonabad MosqueQ1

InscriptionsQ2

ArraysQ1

Abstract

Gonabad Mosque is one of the three remaining mosques of Khorasan's two monasteries, the Razi style and the memorials of the Kharazmshahi era. Two other buildings are Foroumad and Sangan mosques. The decorations of this mosque include bricks, a little brickwork and stucco, most of which were related to the Qajar era, works that fit in the altar and the head of the mosque. The present article aims to clarify the decorations of brick and gypsum and study Arrays and visual analysis of the Inscriptions of the southern porch of the mosque. The letters and Inscriptions of the mosque are based on the structure, military structure and basis. The research methodology is descriptive and analytical and in this regard it has been used for field and library resources in designing these Inscriptions, the uniformity of the letters and Arrays at the inscription level has created unity in the inscription in relation to the lateral factors. In this course, the simplicity of writing elements in the form of letters, the presence of finite elements in the upper part of the inscription for better balance at all levels of inscription, the uniform thickness of letters, the proportion of letters to the inscription, the appropriate intervals of the letters on each inscription, to this unity and harmony. On the other hand, by examining the Inscriptions, a collection of Kofi alphabet of the Gonabad Mosque has been obtained that contemporary Iranian art can use this valuable artistic and spiritual heritage in traditional and national works. The text of the Arrays of writing from the Qur'an and religious texts has been selected and has spiritual significance. The mosque's Kofi's line is very simple and is therefore close to the "Kofi simple" line. One of the special features of this line is the lack of use of inspirational designs around the inscription, and the designer did not use decorative Arrays and put simplicity in the first place. The accompaniment of three geometric, slalomic and written Arrays is seen in many of the scrolls of this era, and it has a graphic tradition in the Inscriptions. This tradition is also observed in the Inscriptions of this mosque, and the inscription for the harmonization of these Arrays has made innovations in the structure of all three categories of Arrays, in particular written Arrays. Preserving the beat at the specified intervals of the inscription, the inscription allows the inscription to be appropriate to the shape of each letter, the ability to use the versatility of the letters. The accompaniment of three geometric, slalomic and written Arrays is seen in many of the scrolls of this era, and it has a graphic tradition in the Inscriptions. At the end of the decoration, the mosque's architecture, along with the presentation of physical beauty, was a manifestation of religious and ritual attitudes and the physical and physical facial beauty has led to the sanctity of the architectural location of the Muslim people of the region in the historical period to the present.

Cites

No record.

References

No record.

Cite

APA: Copy

SHEIKHI, ALIREZA, & Kholousi Rad, Zeynab. (2019). Study of the Decoration and manuscriptions of the Kharazmshahi Jami Mosque in Gonabad city. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), 24(3 ), 77-88. SID. https://sid.ir/paper/146750/en

Vancouver: Copy

SHEIKHI ALIREZA, Kholousi Rad Zeynab. Study of the Decoration and manuscriptions of the Kharazmshahi Jami Mosque in Gonabad city. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA )[Internet]. 2019;24(3 ):77-88. Available from: https://sid.ir/paper/146750/en

IEEE: Copy

ALIREZA SHEIKHI, and Zeynab Kholousi Rad, “Study of the Decoration and manuscriptions of the Kharazmshahi Jami Mosque in Gonabad city,” HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), vol. 24, no. 3 , pp. 77–88, 2019, [Online]. Available: https://sid.ir/paper/146750/en

Related Journal Papers