AESTHETIC IN MANIFESTATION AND EVOLUTION OF WING SYMBOL

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HATAM GHOLAM ALI; BEHBAHANI TARA

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Journal: Naghsh Mayeh Year:2011 | Volume:4 | Issue:7 Page(s): 17-24

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Information Journal Paper

Title

AESTHETIC IN MANIFESTATION AND EVOLUTION OF WING SYMBOL

Author(s)

HATAM GHOLAM ALI | BEHBAHANI TARA | Issue Writer Certificate

Keywords

WINGQ3

WINGED HUMANQ2

GEOMETRY IN IRANIANQ2

S ARTQ2

MATHEMATICS IN IRANIANS ARTQ2

Abstract

Mysterious meanings and symbolic signs in Iranian Art have been always applied to explain the religious thoughts and opinions. Taking a glance at the Iranian art there have been always concepts of wing, winged human, birds, composing animals and also the WING symbol and sign during different periods.Choosing a path through the pages of Iranian history (ancient Iran, Mesopotamia, Islamic periods and afterwords). It would be possible to detect the WING design in relieves, seals, paintings (even those on potteries) and weapons. This symbolic meaning explains a huge part of Iranian art and reviews the religious affairs and goodness.From the logical and mathematical perspective, art and mathematics are really similar, because they both emphasize on the concept of proportion, symmetry and balance. At first the article analyses the symbol and concept of the WING from the ancient to Sassanids era. Then some samples of the WING design are presented to consider such a design from mathematical and geometrical point of view.

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APA: Copy

HATAM, GHOLAM ALI, & BEHBAHANI, TARA. (2011). AESTHETIC IN MANIFESTATION AND EVOLUTION OF WING SYMBOL. NAGHSH MAYEH, 4(7), 17-24. SID. https://sid.ir/paper/184000/en

Vancouver: Copy

HATAM GHOLAM ALI, BEHBAHANI TARA. AESTHETIC IN MANIFESTATION AND EVOLUTION OF WING SYMBOL. NAGHSH MAYEH[Internet]. 2011;4(7):17-24. Available from: https://sid.ir/paper/184000/en

IEEE: Copy

GHOLAM ALI HATAM, and TARA BEHBAHANI, “AESTHETIC IN MANIFESTATION AND EVOLUTION OF WING SYMBOL,” NAGHSH MAYEH, vol. 4, no. 7, pp. 17–24, 2011, [Online]. Available: https://sid.ir/paper/184000/en

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