THE CONCEPT OF LIGHT IN THE SACRED WORKS OF CALLIGRAPHY BASED ON MIR EMAD'S WORKS

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AHSANT SAREH

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Journal: Naghsh Mayeh Year:2011 | Volume:4 | Issue:7 Page(s): 89-96

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Title

THE CONCEPT OF LIGHT IN THE SACRED WORKS OF CALLIGRAPHY BASED ON MIR EMAD'S WORKS

Author(s)

AHSANT SAREH | Issue Writer Certificate

Keywords

THE SACRED ARTQ3

ISLAMIC SACRED ARTQ2

CALLIGRAPHYQ2

LIGHTQ2

SPACEQ2

Abstract

The discussion about sacred art has a special place in all societies, with every style and level of attitrde and belief. According to their traditional background, large or small scale religious communities have indeed a kind of sacred art. This is due to the fact that such an art actually reveals the transcendental face of religion that is utterly intangible and makes efforts to presents it within religious and conscience framework.Religious with Holy books and traditions depict all aspects of their sacred arts (either meaning or face) based on those sources.This article investigates the place of visual elements in CALLIGRAPHY embedded in ISLAMIC SACRED ART and then it approaches LIGHT as a sacred concept. In addition, the article evaluates the direct and indirect effect visual elements may have on the demonstration of infinite sacred concept through bi-dimentional images. Therefore, general features of THE SACRED ART are initially described and then the Islamic definitions and samples of scared art are presented.

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APA: Copy

AHSANT, SAREH. (2011). THE CONCEPT OF LIGHT IN THE SACRED WORKS OF CALLIGRAPHY BASED ON MIR EMAD'S WORKS. NAGHSH MAYEH, 4(7), 89-96. SID. https://sid.ir/paper/184008/en

Vancouver: Copy

AHSANT SAREH. THE CONCEPT OF LIGHT IN THE SACRED WORKS OF CALLIGRAPHY BASED ON MIR EMAD'S WORKS. NAGHSH MAYEH[Internet]. 2011;4(7):89-96. Available from: https://sid.ir/paper/184008/en

IEEE: Copy

SAREH AHSANT, “THE CONCEPT OF LIGHT IN THE SACRED WORKS OF CALLIGRAPHY BASED ON MIR EMAD'S WORKS,” NAGHSH MAYEH, vol. 4, no. 7, pp. 89–96, 2011, [Online]. Available: https://sid.ir/paper/184008/en

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