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Title

COMPARATIVE ANALYSIS OF MOHAMMAD PROPHET’S ASCENSION & JESUS PROPHET, S RESURRECTION MOTIFS

Pages

  33-42

Abstract

 Archin motifs and its manifestation in Iranian art and architecture There has been always a profound relationship between the conceptual arts And architecture. in the past, there were many artistic works with an integrated pattern or a single motif with multiple presentations in art and architecture. one of these patterns is ARCHIN motive which is shaped like a triangle or a come with descending steps. Emphasizing the more identified patterns, the current paper is an effort to find the foundations of the ARCHIN motif, both the meaning and identity, and to consider the infrastructures of ARCHIN in khozestan and Mianrudan conceptual arts and architecture. The paper is based on the interpretive-historical research methodology and evaluates the applications of ARCHIN motifs, its evolution in art and architecture as well as the its historical foundations. In brief, the domes and other applications of ARCHIN motif stem from the architectural traditions belonging to Khozestan and Mianrudan region regardless of probable technical and identificational differences.

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    APA: Copy

    MASHAYEKHI, MOHAMMAD, & MAHDAVINEJAD, MOHAMMAD JAVAD. (2012). COMPARATIVE ANALYSIS OF MOHAMMAD PROPHET’S ASCENSION & JESUS PROPHET, S RESURRECTION MOTIFS. NAGHSH MAYEH, 5(10), 33-42. SID. https://sid.ir/paper/184036/en

    Vancouver: Copy

    MASHAYEKHI MOHAMMAD, MAHDAVINEJAD MOHAMMAD JAVAD. COMPARATIVE ANALYSIS OF MOHAMMAD PROPHET’S ASCENSION & JESUS PROPHET, S RESURRECTION MOTIFS. NAGHSH MAYEH[Internet]. 2012;5(10):33-42. Available from: https://sid.ir/paper/184036/en

    IEEE: Copy

    MOHAMMAD MASHAYEKHI, and MOHAMMAD JAVAD MAHDAVINEJAD, “COMPARATIVE ANALYSIS OF MOHAMMAD PROPHET’S ASCENSION & JESUS PROPHET, S RESURRECTION MOTIFS,” NAGHSH MAYEH, vol. 5, no. 10, pp. 33–42, 2012, [Online]. Available: https://sid.ir/paper/184036/en

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