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Information Journal Paper

Title

FORM, SIGNIFICATION, AESTHETIC IN APPLIED ART

Pages

  59-68

Abstract

 Designers are always looking for a way to create something which would be capable of making a pleasant interaction with viewers in order to deliver their visual and conceptual messages. One of the elements that has the visual and emotional meanings together is “Significant FORM”, which contains reflections of those two in one. If we accept this description for significant FORM, we can use it cautiously with proportion and ratio to prepare AESTHETIC sense with satisfaction. Uniting visual and significant concepts can be helpful for viewers to discover new things in the DESIGN and also the sense of DESIGNer throughout creating which could show the highest point effects of art and DESIGN by the artist.

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    APA: Copy

    TAYYEBI, FARZANEH, & FARDPOUR, SARA. (2012). FORM, SIGNIFICATION, AESTHETIC IN APPLIED ART. NAGHSH MAYEH, 5(11), 59-68. SID. https://sid.ir/paper/184050/en

    Vancouver: Copy

    TAYYEBI FARZANEH, FARDPOUR SARA. FORM, SIGNIFICATION, AESTHETIC IN APPLIED ART. NAGHSH MAYEH[Internet]. 2012;5(11):59-68. Available from: https://sid.ir/paper/184050/en

    IEEE: Copy

    FARZANEH TAYYEBI, and SARA FARDPOUR, “FORM, SIGNIFICATION, AESTHETIC IN APPLIED ART,” NAGHSH MAYEH, vol. 5, no. 11, pp. 59–68, 2012, [Online]. Available: https://sid.ir/paper/184050/en

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