THE RESEARCH ON STRUCTURE AND CONTENT OF RELIGIOUS GLASS PAINTINGS

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MOHAMMADI MAEDEH

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Journal: Naghsh Mayeh Year:2011 | Volume:4 | Issue:8 Page(s): 73-82

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Information Journal Paper

Title

THE RESEARCH ON STRUCTURE AND CONTENT OF RELIGIOUS GLASS PAINTINGS

Author(s)

MOHAMMADI MAEDEH | Issue Writer Certificate

Keywords

ICONQ2

ICONOGRAPHYQ2

GLASS PAINTINGQ2

RELIGIOUS NARRATIVEQ2

STRUCTUREQ2

Abstract

Glass painting started from the Zandiyan era with flower and bird painting and then reaches its peak in Qajar era with religious painting. Subject plays the key role in determining the type of STRUCTURE on religious GLASS PAINTINGs. The subjects are taken from the stories - whether valid or not, popular or not, fictious or real, orally transmitted or quoted - are regarded as the major source for the painters’ inspiration.The painting, hence, would lose much of if values if there were no narrative knowledge. Thus, the realization of relationship between narrative and image is a prelude to understand the other artistic value of these paintings. The paper makes efforts to categorize the subjects in religious paintings, consider the narratives as well as the emergence and use of visual elements and review the content and STRUCTURE of them. This is due to the fact the artist follows the unwritten rules for STRUCTURE in terms of color, composition, form and etc in the same tableaus.

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APA: Copy

MOHAMMADI, MAEDEH. (2011). THE RESEARCH ON STRUCTURE AND CONTENT OF RELIGIOUS GLASS PAINTINGS. NAGHSH MAYEH, 4(8), 73-82. SID. https://sid.ir/paper/184161/en

Vancouver: Copy

MOHAMMADI MAEDEH. THE RESEARCH ON STRUCTURE AND CONTENT OF RELIGIOUS GLASS PAINTINGS. NAGHSH MAYEH[Internet]. 2011;4(8):73-82. Available from: https://sid.ir/paper/184161/en

IEEE: Copy

MAEDEH MOHAMMADI, “THE RESEARCH ON STRUCTURE AND CONTENT OF RELIGIOUS GLASS PAINTINGS,” NAGHSH MAYEH, vol. 4, no. 8, pp. 73–82, 2011, [Online]. Available: https://sid.ir/paper/184161/en

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