A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

Foroghinia Mary; DADVAR ABOLGHASEM

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: Motaleate-e Tatbiqi-e Honar Year:2018 | Volume:7 | Issue:14 Page(s): 121-135

Download Full-Text

Persian Verion

View:

232

Download:

Cites:

Information Journal Paper

Title

A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings

Author(s)

Foroghinia Mary | DADVAR ABOLGHASEM | Issue Writer Certificate

Keywords

Safavid

Mughal

Ascension painting

Visual features interaction

Abstract

Ascension (heavenly journey of Prophet Muhammad) is one of the most important religious issues that its representation was especially important in manuscripts of Islamic countries. In Timurid and Safavid periods, many painters worked in this field and famous people such as Kamal al-Din Behzad and Sultan Muhammad created fine works in the field. Due to the cultural relations with Safavid and Mughal court, Iranian painter transferred this art to India and Ascension painting spread in India. The present theoretical and fundamental research aims at studying the evolution of Iranian Ascension paintings representations after spreading in Indian art. This study mainly investigates how Safavid and Mughal Ascension paintings affected Indian paintings and how they were affected by Indians through comparing and contrasting visual features. The results of this research which is a descriptive and analytical research and is based on electronic and library resources suggest that the visual features of Mughal Ascension paintings due to the duplication of Iranian books at first has been much in compliance with Iranian paintings and were accepted because of common cultural fields in india. But gradually with independence of Indian painters from Iranian painter teachings, the local elements appeared in Indian paintings. So that, in some cases they were out of the original story and Islamic essence and were combined with elements of Indian culture. In later periods, Mughal Ascension paintings style spread to other Islamic countries including Iran and affected on Ascension painting of this countries.

Cites

No record.

References

No record.

Cite

APA: Copy

Foroghinia, Mary, & DADVAR, ABOLGHASEM. (2018). A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings. MOTALEATE TATBIGHI HONAR, 7(14 ), 121-135. SID. https://sid.ir/paper/205425/en

Vancouver: Copy

Foroghinia Mary, DADVAR ABOLGHASEM. A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings. MOTALEATE TATBIGHI HONAR[Internet]. 2018;7(14 ):121-135. Available from: https://sid.ir/paper/205425/en

IEEE: Copy

Mary Foroghinia, and ABOLGHASEM DADVAR, “A Comparative Study of Visual Features Interaction in Safavid and Mughal Acension Paintings,” MOTALEATE TATBIGHI HONAR, vol. 7, no. 14 , pp. 121–135, 2018, [Online]. Available: https://sid.ir/paper/205425/en

Related Journal Papers

No record.

Related Seminar Papers

No record.

Related Plans

No record.

Recommended Workshops

No record.