THE IMPACT OF TA’ZIYEH [A RELIGIOUS PASSION THEATER] ON RELIGIOUS WALL-PAINTING OF QAJAR PERIOD

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HOSEINIRAD ABDOLMAJID; AZIZZADEGAN MAHBOUBEH

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Journal: RESEARCH LETTER OF VISUAL ARTS Year:2011 | Volume:1 | Issue:1 Page(s): 31-44

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Title

THE IMPACT OF TA’ZIYEH [A RELIGIOUS PASSION THEATER] ON RELIGIOUS WALL-PAINTING OF QAJAR PERIOD

Author(s)

HOSEINIRAD ABDOLMAJID | AZIZZADEGAN MAHBOUBEH | Issue Writer Certificate

Keywords

TA’ZIYEHQ2

QAJAR PERIODQ1

RELIGIOUS WALLQ2

PAINTINGQ2

QAJAR ARTQ2

Abstract

About a century after Safavid period, the tendency towards Shiite religious motifs culminated at Qajar court. In those ages, the effort of Qajar kings to justify and confirm their sovereignty as a result of support extended to religious ceremonies and activities and agreement with religious trends made religion one of the strong social base in the public culture to bring art under its influence, (the art which had found an opportunity to reflect beliefs of the public culture. The art of Iranian PAINTING, which was frequently being supported by the courts, found also a public position. It was such that the public PAINTING could reflect the people’s beliefs in religious motifs in the public and religious places such as Hoseiniyeh, Tekyeh and sacred shrines. At that age, one important factor, which had a great impact on the religious minds of painters and naturally the growth and evolution of religious PAINTING, was playing TA’ZIYEH because of Shiite beliefs of the society of that age. The prevailing motifs in the visual arts of QAJAR PERIOD in particular after Fathali Shah served as a reflection of aestheticism and an image of events being performed in TA’ZIYEH. While referring to the factors influencing the growth of PAINTING at QAJAR PERIOD, this article is an attempt to review the wall-painting of religious places which are under the influence of Shiite motifs in TA’ZIYEH and tries to show what kind of interaction had been in place between the dramatic form and visual form of religious beliefs in RELIGIOUS WALL-painting of that age.

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APA: Copy

HOSEINIRAD, ABDOLMAJID, & AZIZZADEGAN, MAHBOUBEH. (2011). THE IMPACT OF TA’ZIYEH [A RELIGIOUS PASSION THEATER] ON RELIGIOUS WALL-PAINTING OF QAJAR PERIOD. RESEARCH LETTER OF VISUAL ARTS, 1(1), 31-44. SID. https://sid.ir/paper/213373/en

Vancouver: Copy

HOSEINIRAD ABDOLMAJID, AZIZZADEGAN MAHBOUBEH. THE IMPACT OF TA’ZIYEH [A RELIGIOUS PASSION THEATER] ON RELIGIOUS WALL-PAINTING OF QAJAR PERIOD. RESEARCH LETTER OF VISUAL ARTS[Internet]. 2011;1(1):31-44. Available from: https://sid.ir/paper/213373/en

IEEE: Copy

ABDOLMAJID HOSEINIRAD, and MAHBOUBEH AZIZZADEGAN, “THE IMPACT OF TA’ZIYEH [A RELIGIOUS PASSION THEATER] ON RELIGIOUS WALL-PAINTING OF QAJAR PERIOD,” RESEARCH LETTER OF VISUAL ARTS, vol. 1, no. 1, pp. 31–44, 2011, [Online]. Available: https://sid.ir/paper/213373/en

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