The Representation of Mythical Aspects of Fairy in Cinema Based on Hypertextualite Theory: A Case Study of Ab-Pariya TV Series

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NORUZI HAMED; REZAEI ZAHRA; MOHAMMADI EBRAHIM

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Journal: Journal of Fine Arts: Performing Arts and Music Year:2020 | Volume:25 | Issue:2 Page(s): 37-44

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Title

The Representation of Mythical Aspects of Fairy in Cinema Based on Hypertextualite Theory: A Case Study of Ab-Pariya TV Series

Author(s)

NORUZI HAMED | REZAEI ZAHRA | MOHAMMADI EBRAHIM | Issue Writer Certificate

Keywords

FairyQ1

Ab-Pariya TV SeriesQ1

Stylistic TranslateQ1

Thematic TranslateQ1

ReductionQ1

ResonanceQ1

Abstract

Ab-Pariya is a serial based on mythological and legendary themes that explores the inappropriate state of nature of Iran by relying on the role of "Fairy" and its interaction with "human". The cinematic representation of such themes entails fundamental changes in the characters, mythical space and time. In this study, we examine the evolution of the process of transforming mythical phenomena of Fairy into cinematic imagery that results from a change in kinship. The present study adopts using the mythical critique and the inter-semiotic approach and Jenetteey’ s hypertextualite theory to examine the mythical aspects of Fairy and how it developments and analyze the similarities and differences of the definitions of Fairy in literature Persian, Myth and legend With its definitions in the Current and modern world as well as in the cinema and Ab-Pariya series. hypertextualite is a type of Gerard Genette’ s Transtextualite Genette used the concept in order to expand on the Intertextualite theory. The term Intertextualite was coined by Julia Kristeva. Kristeva first applied the term in her studies on Mikhail Bakhtin. In those studies, she set to investigate the relationship between two texts. According to Intertextualite theory, a text may be influenced by some previously written texts by other authors. Hyper-textualite includes “ trigonomy” which refers to the possible differences between present text and previously written texts and “ homogeneity” which refers to the similarities between present text and previously written texts and in some cases its imitation from the previous text. In order to conduct the present study Ab-Pariya TV Series is implemented. Findings of the study are analyzed through using descriptive-analytical methods. The study utilizes the library and electronic resources as well in order to analyze the collected data. After careful analysis, it became clear that the most significant myth that was depicted in this TV series is myth of water. In the TV series, Ab-Pary undertakes the duty of water protection. In mythology, this character is equal to Goddess of water (Anahita) and (Amshaspand) Khordad. Among other Pary character in this series are Sabz-Pary and Abr-Pary. Sabz_Pary is symbol of Amshaspandan such as Sepandarmaz and Amordad. Abr-Pary is symbol of Tishtar. In addition, Barf-Pary is another Pary character that appears in this series. She is symbol of Nane-Sarma who is a legendary character as well. Stylistic Translate of has been influenced by media change, but more Thematic Translate has occurred in the evolution of Perry's personality and his interaction with man. The Reductions have been in the myths of creation and in the degree of divinity of the gods and Amish Spas, which are plotted in Fairy, but the Resonances are more in line with the serial goal (emphasizing the importance of preserving the environment and especially water) and adding Nature related characters accomplished. The function of mythology has also been modified. This change is clear in cases such as change of religious function to non-religious, change in function of time and place, change in function of Pary.

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APA: Copy

NORUZI, HAMED, REZAEI, ZAHRA, & MOHAMMADI, EBRAHIM. (2020). The Representation of Mythical Aspects of Fairy in Cinema Based on Hypertextualite Theory: A Case Study of Ab-Pariya TV Series. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), 25(2 ), 37-44. SID. https://sid.ir/paper/387214/en

Vancouver: Copy

NORUZI HAMED, REZAEI ZAHRA, MOHAMMADI EBRAHIM. The Representation of Mythical Aspects of Fairy in Cinema Based on Hypertextualite Theory: A Case Study of Ab-Pariya TV Series. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA)[Internet]. 2020;25(2 ):37-44. Available from: https://sid.ir/paper/387214/en

IEEE: Copy

HAMED NORUZI, ZAHRA REZAEI, and EBRAHIM MOHAMMADI, “The Representation of Mythical Aspects of Fairy in Cinema Based on Hypertextualite Theory: A Case Study of Ab-Pariya TV Series,” HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), vol. 25, no. 2 , pp. 37–44, 2020, [Online]. Available: https://sid.ir/paper/387214/en

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