The Influence of Sicily Island Art in the Norman Period on Islamic-Iranian Art

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Fathi Shabnam; Khamseh Haydeh; Mortazayi Mohammad

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Journal: NEGARINEH ISLAMIC ART Year:2020 | Volume:7 | Issue:19 Page(s): 101-117

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Title

The Influence of Sicily Island Art in the Norman Period on Islamic-Iranian Art

Author(s)

Fathi Shabnam | Khamseh Haydeh | Mortazayi Mohammad | Issue Writer Certificate

Keywords

Iran

Sicily Island

Islamic civilization

Art

Middle Agesh

Abstract

With the advent of Islam in the 7th century AD, the course of Artistic trajectories was transformed enormously, and in the shadow of Islamic civilization, an opportunity was provided to other nations to benefit from Artistic and cultural achievements. Meantime, Persia had the highest position of gaining interest in other nations because the vast majority of Islamic Art was rooted in Persian Art (Sassanid), and in this way, and in this way, the dark and silent Europe during the middle ages, most of whose lands were conquered by Muslims, gained the most. In the 12th century, the Normans overthrew the Islamic State of Sicily and inherited the achievements of Islamic civilization. The aim of this research was to study the aesthetic components of Persian Art and to introduce some of its global effects in the form of Sicily Island in the Norman period Art and to analyze historical events as well as the process of transferring to other nations. To identify influential trends in the process of transferring Persian culture and Art to Middle Ages Europe and Especially Sicily, as well as determining the role of the motifs and concepts which are used in this area’ s Art works and has been impacted by Iranian Art, It should be said that the spread of Persian Art in countries has been emerged through direct and indirect factors: the Crusades, Muslim conquests on European soil and consequently, the Governance of the Muslims in this region and residence of Iranians, Trade in Italian peninsula with the Islamic World and especially Translate scientific resources that reserved to Iranians and muslims. What we call Persian in the works of Sicily are: Iranian mythical themes, decorative and lyrical like Griffon, Hunt, Plant motifs, Dance, Animals around the tree of life especially in textile design which is somehow a reflection of their Iranian origin, Animal Controversy, falconers on horseback, Horseback riding shooter. This research is of historical type and analytical-comparative method, and has been done by comparing images, and data collection method is secondary research.

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APA: Copy

Fathi, Shabnam, Khamseh, Haydeh, & Mortazayi, Mohammad. (2020). The Influence of Sicily Island Art in the Norman Period on Islamic-Iranian Art. NEGARINEH ISLAMIC ART, 7(19 ), 101-117. SID. https://sid.ir/paper/397348/en

Vancouver: Copy

Fathi Shabnam, Khamseh Haydeh, Mortazayi Mohammad. The Influence of Sicily Island Art in the Norman Period on Islamic-Iranian Art. NEGARINEH ISLAMIC ART[Internet]. 2020;7(19 ):101-117. Available from: https://sid.ir/paper/397348/en

IEEE: Copy

Shabnam Fathi, Haydeh Khamseh, and Mohammad Mortazayi, “The Influence of Sicily Island Art in the Norman Period on Islamic-Iranian Art,” NEGARINEH ISLAMIC ART, vol. 7, no. 19 , pp. 101–117, 2020, [Online]. Available: https://sid.ir/paper/397348/en

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