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Title

Synaesthesia in Cy Tombly `s Aesthetic Action according to Gilles Deleuze `s Ideas

Pages

  45-67

Abstract

 According to a triadic divisions in different periods of Cy Tombly`s career with a concentration on Writing & space, We analyze the role of synesthesia in aesthetic action of the artist. Tombly`s interest in classic poems, Mythology and history will turn to express in contemporary language. Formation of synesthesia that means changes in the function of senses derived from multitask organs with multi capacity depends on sensation. Synesthesia will happen as the sensation will affect on the surfaces and threshold of body without organ. So the sensation as a pure intensity will intervene in the flow of the artist`s mind. Sensation changes the order and function of senses of body without organ. To facilitate the study of the role of Synesthesia in Tombly's aesthetic action, we categorized and grouped three works in his work and art. An analysis of the first group's paintings, Tombly's Blackboard Works, shows the use of letter or text in the form of intertwined letters, and the lines indicate a touch of aesthetic action. The artist has mastered what is temporal, audible in a visual and tactile way. So we come across works that sometimes do not need to be read but need to be seen and make our sense of reading and listening become tactile. Reflecting on Deleuze's views on the works of Trombly's first group, he merely considered the artist's aesthetic action, and for him at this stage was not merely a matter of looking of eye, but the eye falls out of hand, and the hand does not follow the eye, so blackboard paintings show, The artist is in the stage of Deleuze's chaos, and he has yet to find a way through the chaos of possibilities. We claimed that the first group of artist`s works means blackboard ones are the manual works. we consider in the second group the duality of text /image they are like poems that confront with the intervention of sensation. synesthesia of sensation will change the words or title to the special index or mark that is presented image, in which is in opposition to our associated mind & cliched image or familiar pictures in the history of art. In the third works, He instead of representation, with relying on body without organ records the intensity of sensation. the marks, the traces, the codes, titles, palindromic words, clapping of lines, Cartesian coordinates play the role of outlines in front of the invasion of chaotic background. And then they help the artist to find a ground for escaping from the chaos of background which is not void. it is full of possibilities. The first splashes, patches or touches according to that basis make a ground for distancing from the chaos of the world or it`s Necessities in spite of proximity. The sensitive and aesthetic relations in and out of artwork in dominance of sensation, will shape the space. Because of shallow depth and way of colorizing the third type of Tombly`s works, synesthesia and sensation make our eye to sense haptic.

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    APA: Copy

    AFARIN, FARIDEH. (2020). Synaesthesia in Cy Tombly `s Aesthetic Action according to Gilles Deleuze `s Ideas. JOURNAL OF VISUAL AND APPLIED ARTS, 13(27 ), 45-67. SID. https://sid.ir/paper/407636/en

    Vancouver: Copy

    AFARIN FARIDEH. Synaesthesia in Cy Tombly `s Aesthetic Action according to Gilles Deleuze `s Ideas. JOURNAL OF VISUAL AND APPLIED ARTS[Internet]. 2020;13(27 ):45-67. Available from: https://sid.ir/paper/407636/en

    IEEE: Copy

    FARIDEH AFARIN, “Synaesthesia in Cy Tombly `s Aesthetic Action according to Gilles Deleuze `s Ideas,” JOURNAL OF VISUAL AND APPLIED ARTS, vol. 13, no. 27 , pp. 45–67, 2020, [Online]. Available: https://sid.ir/paper/407636/en

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