A PREFACE ON PRE-LSLAMIC IRAN ANIMAL EARTHENWARE'S AESTHETICS

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

EBRAHIMI NAGHANI H.; SHIRANI R.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: HONAR-HA-YE-ZIBA Year:2007 | Volume:- | Issue:28 Page(s): 105-114

Download Full-Text

Persian Verion

View:

1,166

Download:

Cites:

Information Journal Paper

Title

A PREFACE ON PRE-LSLAMIC IRAN ANIMAL EARTHENWARE'S AESTHETICS

Author(s)

EBRAHIMI NAGHANI H. | SHIRANI R. | Issue Writer Certificate

Keywords

ANIMAL EARTHEN WARESQ3

VISUAL VALUESQ3

LANGUAGEQ2

EXPRESSIONQ3

OUT PUTQ3

Abstract

Ceramic and pottery are the first tools and techniques which are at human service from long time ago. Ceramic as a tool to cure the needs of human or as a place for the first innovates and human talent manifestation was a good center and has a special and an unforgettable Place. In the study of art works sets, that discussed under the pottery and hand made manufactured titled, granting to two basic categories that outshined consistently this art-industry is a proper affair. A) Functional aspects.B) Artistic-Symbolic manifestation and aesthetics value.In recent investigation to avoid from functional category of pottery art-industry that caused the second aspect of it which is industry ,ANIMAL EARTHEN WARES are considering that are evident repeaters of artistic and symbolic manifestations of pottery art-industry. Therefore it seems a preface definition for this kind of hand made earthen wares:Animal earthenware's attributed to the kind of pottery art-industry that its external form and shape in an imitated abstract manner of different animals caused a new and dynamic structure. Animal earthen ware's in respect of visual and aesthetic aspect, embrace a great part of pottery history of Pre-Islamic IRAN.Aesthetic aspect of which embraced the psychological dimensions and old originals the foremost human.So, lack of attention to the aesthetic indicators and artistic functional standards of this sort of hand made ceramics may be the first and only evidences related to their artistic beliefs and creationistic which get lost and became interdicted. If we take a look to some of this earthenware's history, definitions rout will be smooth for us: Animal earthenware's are the first aspects of mental ground presentation of artists who learned to create art, to lecture fully the things that in our belief are the unique of humanity. Animal earthenware's are crystallization of symbolic and aesthetics thoughts of civilization makers human that are asleep among history pages. What ever that caused us to declare that animal earthenware's are crystallization of first human artistic and aesthetic is that this hand made manufactured cause of being heaped up of visual messages had found a value and a credit equal to worth full art works, and have the art works main indicators like: contents, statement, and decoration. So, in the recent investigation interim of these arts works inspection from oldest from oldest animal inspection, under the pretext of subjective groundings criticism of these art works creators and Its aesthetics value analysis, we examine the three important cases of the most important subjects.A) Animal earthenware's aesthetics value.B) Priority of artistic and symbolic aspect of animal earthenware's to its functional aspects.C) The high capacity of pottery as a suitable station to appear artistic values.

Cites

No record.

References

Cite

APA: Copy

EBRAHIMI NAGHANI, H., & SHIRANI, R.. (2007). A PREFACE ON PRE-LSLAMIC IRAN ANIMAL EARTHENWARE'S AESTHETICS. HONAR-HA-YE-ZIBA, -(28), 105-114. SID. https://sid.ir/paper/5673/en

Vancouver: Copy

EBRAHIMI NAGHANI H., SHIRANI R.. A PREFACE ON PRE-LSLAMIC IRAN ANIMAL EARTHENWARE'S AESTHETICS. HONAR-HA-YE-ZIBA[Internet]. 2007;-(28):105-114. Available from: https://sid.ir/paper/5673/en

IEEE: Copy

H. EBRAHIMI NAGHANI, and R. SHIRANI, “A PREFACE ON PRE-LSLAMIC IRAN ANIMAL EARTHENWARE'S AESTHETICS,” HONAR-HA-YE-ZIBA, vol. -, no. 28, pp. 105–114, 2007, [Online]. Available: https://sid.ir/paper/5673/en

Related Journal Papers