MIRAJNAMAH, THE BRILLIANT DIAMOND OF ILKANI PERIOD

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

SHAMSI L.; SHAD GHAZVINI P.

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: HONAR-HA-YE-ZIBA Year:2007 | Volume:- | Issue:28 Page(s): 85-92

Download Full-Text

Persian Verion

View:

2,208

Download:

Cites:

Information Journal Paper

Title

MIRAJNAMAH, THE BRILLIANT DIAMOND OF ILKANI PERIOD

Author(s)

SHAMSI L. | SHAD GHAZVINI P. | Issue Writer Certificate

Keywords

MINIATUREQ2

AESTHETICQ2

MANUSCRIPTSQ3

ILLUSTRATIONQ3

MIRAJNAMAHQ3

Abstract

According to the gold edge of Iranian painting, we find Mirajnama has a book that illustrated based on the stories of prophet "Muhammad's (pbuh) life". It is one of the religious stories that are talking about a holy journey of Prophet Muhammad (pbuh).There for, we have an album that belongs to ilkhani period. One of the central atelier of ILKHANI period is in Tabriz, Called (rabe -rashidi), this center was assisted by (Rashid-eedin) who was the Prime minister of Ghazan khan, the king of Mongols. Rashid-e-edin had invited the artist and poets from all over the world, in (rabe-rashidi) to create the literary books. In this album we can see great differences between this MIRAJNAMAH and the other contemporaries' MANUSCRIPTS. The ILLUSTRATION of MIRAJNAMAH based on mystic consideration of their artists. They had inspired by their religious believes they find the world as the creation of God and they believes in God as the greatest love, so their brush leads by god, and he made their art holy. The naturalistc aspects of MIRAJNAMAH improved these MANUSCRIPTS in this period. During these periods of time in Tabriz, we find a great master of MINIATURE called Ahmad moosa, he had a great effect on this periods. He was also change the way of Iranian painting. Representing the big figure is a specific character of these MANUSCRIPTS. There for we can recognize the Chinese and Byzantines effects in these MANUSCRIPTS it shins through the figures ,as we understood that the Chinese figurative painting is fluid and the Byzantines MANUSCRIPTS has no tolerance in drawing and their lines are solid. In this MIRAJNAMAH we can find out the brilliant method of Iranian artists .theses artists could mix these two methods with his special way; the way winches was the best combination that reflected the Iranian character in a wonderful way. The Iranian artist had selected the best point of view of whole story. They had also found the best techniques for displaying his goal. The color play a gate role through these MANUSCRIPTS. The shiny colors seems familiar for us, we faced them in Demoot Shahnamah. But the shines of color in miraj namah are more. The method of drawing of figure based on live model, the artist mix the live model with his own imagination and make anew image. We can find many visual new aspects through this MIRAJNAMAH, the harmonized color has made of exact balance. The expression of the portraits is wonderful and they expressed more emotional feelings than the last MANUSCRIPTS. Drawing plays a big role through this painting, and it has an individual value. Perspective is another aspect of these MANUSCRIPTS; the artists had a great inspiration of perspective. He shows them in the suitable way that he can ever do. He learns them from the chine's painters. in this essay, we are going to find the AESTHETICal visual aspects of these MANUSCRIPTS and after that we can find the different astatically parameters of them.

Cites

No record.

References

No record.

Cite

APA: Copy

SHAMSI, L., & SHAD GHAZVINI, P.. (2007). MIRAJNAMAH, THE BRILLIANT DIAMOND OF ILKANI PERIOD. HONAR-HA-YE-ZIBA, -(28), 85-92. SID. https://sid.ir/paper/5677/en

Vancouver: Copy

SHAMSI L., SHAD GHAZVINI P.. MIRAJNAMAH, THE BRILLIANT DIAMOND OF ILKANI PERIOD. HONAR-HA-YE-ZIBA[Internet]. 2007;-(28):85-92. Available from: https://sid.ir/paper/5677/en

IEEE: Copy

L. SHAMSI, and P. SHAD GHAZVINI, “MIRAJNAMAH, THE BRILLIANT DIAMOND OF ILKANI PERIOD,” HONAR-HA-YE-ZIBA, vol. -, no. 28, pp. 85–92, 2007, [Online]. Available: https://sid.ir/paper/5677/en

Related Journal Papers