CERAMICS OF THE SAFAVID PERIOD, SURVEY OF TECHNIQUES AND ARTISTIC MOTIFES OF POTTERIES

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

MOHAMMADIFAR Y.; BALMAKI B.

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: HONAR-HA-YE-ZIBA Year:2008 | Volume:- | Issue:35 Page(s): 93-102

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

6,986

Download:

Cites:

Information Journal Paper

Title

CERAMICS OF THE SAFAVID PERIOD, SURVEY OF TECHNIQUES AND ARTISTIC MOTIFES OF POTTERIES

Author(s)

MOHAMMADIFAR Y. | BALMAKI B. | Issue Writer Certificate

Keywords

SAFAVID CERAMICSQ2

ARTISTIC SCHOOLSQ3

MOTIFQ2

MINIATUREQ2

Abstract

With birth of safavid dynasty, an eyecating change appeared in all of the artistic and industrial matters, subject as safavid pottery. Shah-abas’s planning lead to the renaissance of making ceramic, in safavid period. The potters to profit by tacts according to times and make attention to native elements, to resulting in producing the potteries with synthetic characteristics. ceramics of this period incloding, Kubachi wares, blue and white, Gombroon, Luster, Celadon, and also importing wares, that have been affected on producing internal wares. For excample Chinese procelines that leaded to producing blue and white, Celadon, and Iznik pottery, that send in huge mounts to the Iranian bazaars and therefore, European Faience, deboosted the last safavid potteries. A Kubachi ware has no confirmed place of origin but it is thought that the pottery was once traded for arms. The pieces called Kubachi ware consist of black and turquoise ceramics that suggest the ceramics of the early Chinese Ming dynasty, blue and white ware, and polychrome ware. Blue and white wares had already reached the Islamic world towards the second half of the fourteenth century and its imitation may have started soon after. One of the pottery centers in Iran where blue and white pottery were manufactured is Mashhad. Chardin in the seventeenth century mentioned Mashhad as one of the major ceramic centers, while towards the end of the same century the British East India company refers to it and to Kirman as the two most important. Gombroon is perhaps the finest ware that was ever produced in Iran. It is made of hard, compact and white fritware which comes very close to Chinese porcelain. The resurgence of Luster-painting was probably due to renaissance of the Iranian spirit, culture and arts in safavid times. Celadon wares like the blue and white, was always admired and in great demand in the Islamic world. This pottery had been treaded in larg numbers in Iran from tenth century. Safavid ARTISTIC SCHOOLS such as Tabriz and Isfahan, had much effects in all aspect of visual art in safavid period. Iranian potters to follow the example of ARTISTIC SCHOOLS, Spacialy School of Harat, try to revive ceramic art with MINIATURE MOTIFs. The potters with inspiration from masterpieces of MINIATURE MOTIFs use the a new designs and distinct features such as, birds in natural forms, actul animals, vegetational MOTIFs, an elements that has been adopt from literature, on the ceramics in form of vessels such as plate, pot, bowl and etc. having shifted capital to Isfahan by Shah-Abas in 15 century, prevailed image of beggars and princes on the vessels and this forms have been painted with costly clothes and Amame. While the foreign merchants and producers was holding Bazzar by manfacture of chip potteries, Iranian potters tried to offset In commercial exchanges by joinery lot of their products. This paper gives brief survey in ceramics of safavid dynasty, and studys influences of prevalent MOTIFs of artistic MINIATURE schools in decoration of ceramics of the Safavid dynasty.

Cites

No record.

References

Cite

APA: Copy

MOHAMMADIFAR, Y., & BALMAKI, B.. (2008). CERAMICS OF THE SAFAVID PERIOD, SURVEY OF TECHNIQUES AND ARTISTIC MOTIFES OF POTTERIES. HONAR-HA-YE-ZIBA, -(35), 93-102. SID. https://sid.ir/paper/5685/en

Vancouver: Copy

MOHAMMADIFAR Y., BALMAKI B.. CERAMICS OF THE SAFAVID PERIOD, SURVEY OF TECHNIQUES AND ARTISTIC MOTIFES OF POTTERIES. HONAR-HA-YE-ZIBA[Internet]. 2008;-(35):93-102. Available from: https://sid.ir/paper/5685/en

IEEE: Copy

Y. MOHAMMADIFAR, and B. BALMAKI, “CERAMICS OF THE SAFAVID PERIOD, SURVEY OF TECHNIQUES AND ARTISTIC MOTIFES OF POTTERIES,” HONAR-HA-YE-ZIBA, vol. -, no. 35, pp. 93–102, 2008, [Online]. Available: https://sid.ir/paper/5685/en

Related Journal Papers