CREATIVE PHOTOGRAPHY IN IRAN

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SATARI MOHAMMAD

Educational Videos and Scientific Workshops

Scientific Information Database

ISSN: 2588-4824

Journal Paper

Paper Information

Journal: HONAR-HA-YE-ZIBA Year:2006 | Volume:- | Issue:25 Page(s): 73-78

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Information Journal Paper

Title

CREATIVE PHOTOGRAPHY IN IRAN

Author(s)

SATARI MOHAMMAD | Issue Writer Certificate

Keywords

HISTORY OF PHOTOGRAPHY IN IRANQ3

QAJARQ2

CREATIVE PHOTOGRAPHYQ3

MAJOR PHOTOGRAPHERSQ3

Abstract

Today, photography in Iran is one of the most popular forms of visual art with a large audience. On the other hand, popularity of photography among the younger generation as a pure form of art with an interconnection with everyday realities is on the increase. The art of photography, which was exclusive to the court in the first three decades of Nasseri rule, became a popular form after Constitutional Revolution. With the advent of the Islamic Revolution and the shut down of the mass media (newspapers and television) as a result of general strike, photography as a means of news dissemination assumed greater significance. At the beginning of the imposed war, photography, which went beyond the conventional news application among artists with strong belief in this art as a media, became very popular and they founded a special school in war photography. CREATIVE PHOTOGRAPHY is a form of photography which is associated with an artist's sentiments, aesthetic principles, and his subjective and emotional perception and is far from a merely objective record of subjects. A photographer may manipulate the tone, composition, and type of the sensitive material to better express his thoughts in CREATIVE PHOTOGRAPHY and employ special perspectives, allegory and irony in his work. He may even use collage or multiple negative exposures. This type of photography puts aesthetic aspects in contrast with applied branches in photography.

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