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Information Journal Paper

Title

INTUITION IN UNDERSTANDING AND CREATING ARTWORK

Author(s)

ROYAYI T. | Issue Writer Certificate 

Pages

  79-86

Keywords

ORIGINS OF ARTWORK (ARTISTQ3
READER) Q3

Abstract

 In this Article the main discussion is about the role of INTUITION in creating and forming artwork." Bergson's" philosophy of art more than other philosophies discusses about the INTUITION. By analizing "Bergson's" views about INTUITION and art we seek to answer this question: whether art work is produced by thought or INTUITION? In order to finding answer the INTUITIONal believes of "Croce"and "Coling wood" in philosophy of art is concerned which deals with the subjects such as: symbolic knowledge versus intuitive  knowledge, emotional expression versus imaginative expression and the difference between the artistic creation and understanding with pure rational activities. On the other hand by presenting a brief discussion about the function and origin of INTUITION in understanding artworks, we deals with three main art's fields: artwork, artist, reader (addressee), . which are in challenge as the origin of artwork. By considering the modern hermeneutic , reception theory of meaning, and the "Iser's" view on knowledge of signs (traces), meaning ambiguity and defamilirization, we try to analize the process of INTUITION from artist (Autor) to artwork and from artwork to reader(addressee).    

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  • Cite

    APA: Copy

    ROYAYI, T.. (2006). INTUITION IN UNDERSTANDING AND CREATING ARTWORK. HONAR-HA-YE-ZIBA, -(25), 79-86. SID. https://sid.ir/paper/5806/en

    Vancouver: Copy

    ROYAYI T.. INTUITION IN UNDERSTANDING AND CREATING ARTWORK. HONAR-HA-YE-ZIBA[Internet]. 2006;-(25):79-86. Available from: https://sid.ir/paper/5806/en

    IEEE: Copy

    T. ROYAYI, “INTUITION IN UNDERSTANDING AND CREATING ARTWORK,” HONAR-HA-YE-ZIBA, vol. -, no. 25, pp. 79–86, 2006, [Online]. Available: https://sid.ir/paper/5806/en

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