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Information Journal Paper

Title

Reading Hypertextual Relation of Ilam Rug by Gerard Genette’, s Theory

Pages

  111-121

Abstract

 Ilam Rug is a collection of rural Rugs in Iran that the different factors have influenced its evolution that causes the integration and development of this rug. This integration in the design and patterns of the Ilam Rug is because of a permanent authority that, despite the continuous changes of this rug during the time, always remained unchanged, and there is a possibility which is one of the involved factors in the creation of this rug. Therefore, this research will consider the process of understanding the Ilam Rug through its environment, geography, and culture. The primary purpose of this study is to understand the way and the type of relation between the texts which create the meaning of Ilam Rug. In the encounter with artistic work, if a vast collection of literary and artistic texts is recognizable, it is possible to obtain the hidden meaning of the work through reading and understanding of the very collection and the relationships among its members. Combining a set of texts and the achievement of an integrated text is a process that is always carried out by the human mind to create new texts. One of the most outstanding theoreticians who bring up a complete method for analyzing such a thing is Gerard Genette, who offered a new way for understanding the relationship between the text with his Hyper textuality method. The re-search is descriptive and analytical and provides informa-tion in a library-based manner. The Analysis of the Information in This research was done based on the theory of hyper textuality of Gerard Genette, and the procedure was recognizing the component of the artwork and then determining their influences on forming the final text. The result of this study shows that the Rugs that have studied in this research are samples of culture and the art of the Ilam region, which in their process of evolution, a set of text with different ideologic roots were to create a unified system that has semantic cohesion and esoteric cohesion despite its Formal plurality. Ilam Rugs using different texts with pre-Zoroastrian )Mithraic(, Zoroastrian, and post-Zoroastrian )Islamic( foundations and jointing them through different ways were up to create a text is meant for a Muslim person with Iranian heritage. A result of this research is that one of the essential properties of this rug is its Mithraic foundation which has preserved its meaning during the time and in the other ideologic systems. This condition, which gives rise to “, textual continuity, ”,guarantees an artist’, s survival by loading time and modifying proposed systems. Textual consistency is a particular situation in which the textual elements are interconnected. Demanding the rug’, s relevance and how it forms in this testimony is based on a robust reforming system that has evolved over different periods through the convergence of Islamic and Iranian textures.

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    APA: Copy

    Mehrabi, Fatemeh, & GHANI, AFSANEH. (2021). Reading Hypertextual Relation of Ilam Rug by Gerard Genette’, s Theory. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), 26(1 ), 111-121. SID. https://sid.ir/paper/985692/en

    Vancouver: Copy

    Mehrabi Fatemeh, GHANI AFSANEH. Reading Hypertextual Relation of Ilam Rug by Gerard Genette’, s Theory. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA )[Internet]. 2021;26(1 ):111-121. Available from: https://sid.ir/paper/985692/en

    IEEE: Copy

    Fatemeh Mehrabi, and AFSANEH GHANI, “Reading Hypertextual Relation of Ilam Rug by Gerard Genette’, s Theory,” HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), vol. 26, no. 1 , pp. 111–121, 2021, [Online]. Available: https://sid.ir/paper/985692/en

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