In order to investigate and analyze a literary work, one should consider the whole work's components and phenomena in its totality to reach the destination as well as getting familiar with content and message it conveys. The fact why a literary work forms depends on this important factor that, basically, what kinds of meanings exist in the text and secondly what the relationship among different components are. We also take this issue into consideration that how readers can understand the text meaning that is, reader must be able to explain the quality of meaning comprehension of the text. However, it is clear how structuralism deals with literary texts. It analyzes the literary message based on form and structure which consists of both meaning and form and so as to access it one should begin with the analysis of voice and morpheme to end with the investigation of general structure.This kind of criticism for recognizing one valuable literary work is of much importance, so basically writers of this essay intend to investigate the laws related to structural criticism in Parvin E'tesami's poem, the great contemporary poet, to know whether the poet has had the power and capability to reach the aim of conveying the message to addressees. In present text the research procedure is library based. We deal with Parvin's odes, considering two very important issues in structural criticism, e.g. structural infringement and semiology. We want to know which special message can be understood among Parvin's odes that are apparently various and different with the same meanings. With this in mind our understandings of her poems can be more exact, besides we deeply become aware of the capability of the great poet in composing her pure poems.

Poems of Parvin Etesami (1285 1320 A.S.H.) are full of Quranic concepts and Islamic-ethical principles. She treats the Quran as the high school of human perfection. In all of her poems, Parvin is in search for ethical advices and conclusions which are all in accordance with or in direction of Quranic teachings in such a way that shadows of presence of Quranic culture can clearly be observed through deliberation upon endoplasm of her poems. Her plain Khorasani style and avoiding usage of Quranic-Arabic terms and expressions made researchers and critiques who investigated and criticized her mostly speak of characteristics of her style, frames of speech, and power of conveying thoughts in her poems considering them educational, ethical, and sometimes mystical without any explicit reference to the Quran in the spirit of her poems which are full of ecstasies of divine speech. This essay is an attempt to open this window and to show this precious, unknown pearl in Parvin's poems which are not deliberated upon from this angle yet.