French philosopher, novelist and critic Jean-Paul Sartre considers the emergence of anti-novels to be the most important feature of contemporary literature. In his view, the novel's appearance and main lines seem to be preserved, but its unrealistic imagination and characters indicate that the era of the novel has passed in the past style, and the contemporary period is the era of thought in the novel. Hence, the contemplation of today's reader plays an essential role in understanding the facts in order to be able to understand the meaning and concept of the novel more deeply and to reach the intended facts. With its special tricks in the field of characterization, timelessness and placelessness, intertextuality and constant change of language from old to new, etc., it can be considered as a new and anti-novel approach. Therefore, in the present article, an attempt is made to answer the question in a descriptive-analytical manner, which of the features of this novel puts it in the category of anti-novel and new novel? The achievement of this study indicates that this novel, in terms of characterization, elimination of the main character, narrator, intertextuality, ambiguity in time and place, the reader's assistance in creating the text, imagination, etc., has significant similarities with the anti-novel and new novel components.