Although the threat of Zionism against Palestine was already acknowledged in non-Palestinian Arab journals, Arab poets were virtually inattentive to this concern till the issuance of the Balfour declaration in 1917. These poets were then mainly concerned with Arab-Turk relationships. The 1929 clash between Palestinians and Jews over “Nodbe Wall” served as a turning point in the history of Arab poetry. From this point on, Palestine’s political issues found its way to the works of Arab poets. Palestine's defeat in 1948 and the establishment of the Jew government made Arab-Israel strife the chief subject of the works of these Poets. The defeat of June also exercised considerable influences on the different branches of literature such as fiction. It additionally occasioned dramatic effects upon several Arab poets, including Nazar Ghabbani. Celebrated, due to his sonnets, as "the feminine poet" till then, Ghabbani colored his poems with heroic aura after 1967 defeat. Employing the frenzy of his sonnets, he fought against Israel in his poems, having Palestine as his companion. Dwelling on the inherent wrath of the heroic poetry, he condemned those in charge of Palestine’s defeat. His frank and forthright diction irritated so many people, including the indifferent authorities who surrendered to the Zionism doctrine, to the extent of near-banishment of his poems. He also targeted Arab artists, poets, and writers who carry the noble responsibility of awakening their readers. To him, the future generations are the source of hope who would fuel the movement by sacrificing themselves to reclaim their homeland. Drawing on a number of Ghabbani’s poems, this study aims to demonstrate his position and reactions to the human dormant Conscience and also his approach to awaken it.