Introduction: Every work of art is a combination of structure and beauty. Aesthetic values are in the role of the building blocks of a work of art, and a principled and purposeful structure can be used to apply them. The arrangement of aesthetic values depends on the structure of the work; That is, a proper structure contributes to the relationship between aesthetic values. Narratology, as a science, strives to achieve clear narrative patterns. Propp and Garms are theorists who have defined narrative based on the actions of actors. The role model is one of the most important tools that provides semantic cues to critics. With the help of this model of action, it is possible to understand the presence or absence of internal coherence between narrative elements. Pirang is another important theoretical issue in the field of semantics and narratology with a constructivist approach and the most important part of a narrative and it can be considered as one of the most important elements related to the model of actors on which the coherence of the narrative structure depends. Weiss and Ramin is a Persian lyric poem that has always had a high place in Persian literature. In the present study, we have tried to establish this position by using Garms theory and by prescribing scientific frameworks. Method Precedent, research goal This research is a descriptive-analytical method and the sources used in it are library documents. Babak Ahmadi (1991) in the book Structure and Interpretation of the text and (2017) the book from visual signs to the text took a big step in introducing the development of new approaches to narratology. Ahmad Okhot (1992) also tried to prove the compatibility of Persian literature with them by introducing the theories related to narratology by writing the book Grammar of the Story. Other authors such as Hamid Reza Shairi (2002) with the book Basics of Modern Semantics, Ali Abbasi (2016) with the book Applied Narrative and Mohammad Hadi Mohammadi and Ali Abbasi (2002) with the book Samad Structure of a myth in introducing this scientific approach and localization of this Theories have made a significant contribution. The purpose of this study is to prove the coherence of the plot and the narrative of Weiss and Ramin based on the structuralism of Propp and Garms. Discussion: This narrative consists of four action models, each of which is based on a plot. The first and second action models work in parallel in a contradictory relationship to achieve a goal and form an independent story. Following these plots, a new story begins with two other action models, both of which (in conjunction with Weiss and in conjunction with Ramin) operate in parallel; But the relationship between them is interactive and they advance the narrative to achieve a common goal. The plot on which these two narratives are based is the same. In Weiss and Ramin's narrative, we are faced with two types of plots: linear plots that follow each other and parallel plots that tell the story at the same time. These plots themselves fall into two groups of confrontation and interaction. In Weiss and Ramin, it can be seen that a fictional character is placed in the position of two actors. Sometimes these two positions of action have an interactive relationship with each other and move towards a goal; In the first plot, the target (viro) acts in the position of the actor, and in the second plot, the midwife appears in the position of the actor and the actor. This shows the importance of these fictional characters in the narrative; Because they take on the narration of an important part of the story and by being in two positions, they bring the most help to the active actor to reach the goal. In some cases, the actions of the actors change; That is, from the front of helping the active actor, they are transferred to the opposite front. As in action model First, the actor (city) has become a deterrent actor, and in action model second we see this change in city action. Given the material motivation of the city for this change of action, the most important feedback received from the analysis of his position in these models of action is the realization of his shaky personality and the sudden change of direction of the narrative. By summarizing the initial and final parts and devoting as much volume as possible to the middle part, the author has created a fit and a principle of uniformity that causes order and coherence in the story of Weiss and Ramin. Conclusion: Weiss and Ramin's lyrical system is a narrative based on Grimas structuralist theory that has a complete structural pattern and narrative; Because in addition to having three initial, middle and final parts, the element of change is also seen in it. Also, based on the type of text that was chosen (narration), there is a kind of semantic coherence in it and no part of the anecdote is ineffective in advancing the flow of narration. This is a privilege that many literary works lack. Another feature of the story of Weiss and Ramin is the multiplicity of narrative Syntax and plot in this work, which shows the complexity of the narrative. There is more than one plot in a long narrative of tricks that prevent the audience from getting bored and accompany him with the narrator. Despite the various narrative patterns in Weiss and Ramin, Weiss is a fixed point around which other elements revolve, which contributes to the coherence of the text. The result of the above results is the proof of the high position of Weiss and Ramin's system on the basis of a lawful and scientific system that responds to linguistic theories after nine centuries and has the ability to make the audience have a better reading based on scientific theories.

Space Syntax is an influential theory which has been successfully applied to various disciplines such as archeaology and architecture to analyze spatial relationships. It has been defined as a method for representation and quantification of spatial patterns. Instrumental in this method is the definition of space as a two- dimensional convex structure. The method examines circulation in or through any space. The spaces that connect more spaces are thus defined as more integrated, while those with little circulation are considered to be segregated. Using the same method the central courtyard in a Persian house, for example, is highly integrated, while the talar and orosi rooms are segregated, although these are the most important summer and winter residential spaces, respectively. There are other spatial characteristics that are not considered in the application of the method: size, shape, Function, atc. The paper tries to introduce and analyze the method and highlight its advantages and disadvantages.

Scholars have done various discussion on Syntax and its origin. What can be infered from their argument is that, Arabic grammatical rules have lost their influences. Therefore, the leading proponents of syntactic school have tried to avoid this problem by writing grammatical rules for Arabic. Such attempts have been conducted by schools of Kufa, Basrah and Baghdad. It goes without saying that each of these schools possess its own rules and regulations. To teach the Syntax remained from the past in accordance with the Basrah end Kufa school is considered to be neither appropriate nor right. In devising new Syntax to fulfil our needs, descriptive approach is viewed as the best Choice. In recent descriptive studies, Syntax: is devised based on both spoken and writen language. Such a descriptive appro<"lch includes both the over all shape and the change in the final vowels of Arabic words. Dialects are unacceptable issues because they are not based on descriptive Syntax and they are far from it.

Iranian culture and islamic Belives are the main source of iranian music. Therefor the cos of the evolution of iranian music should be found in it"s inwardness and the islamic theosophy is the main source of the Syntax of iranian traditional music. Islamic wisdom has two major effect on iranian music firstly prepare a productive language between educators and students. Secondly prepare a useful communication between Iranian music swells and their addressees. Thus the Islamic believes and Iranian tradition is the main outlines of the Syntax of pioneer iranian music. Iranian music has two famous branches which are been usually used by music masterfuls. ln spite of some deductive shortsighted approaches, both of them have Islamic resources However the main part of Iranian music evolution has been occured in Islamic period. We can address a considerable number of famous clergymans whom know music as well as theology. In order to clarify the new way of avant-gard music, Iranian tradition and Islamic beliefs should be accurately scrutinized. Path of progress and rehabilitation of Iranian music can be followed only through Islamic believes. Therefore, Islamic theosophy, Iranian culture and our inveterate traditional music are the primary and constant source of Iranian music inspirations and the outlines of the Syntax of avant-gard music which are able to clarify new horizons of Iranian avant-garde music.

A characteristic of Data Envelopment Analysis (DEA) is to allow individual decision making units (DMUs) to select the factor weights which are the most advantageous for them in calculating their efficiency scores. This flexibility in selecting the weights, on the other hand, deters the comparison among DMUs on a common base. For dealing with this difficulty and assessing all the DMUs on the same scale, this paper proposes using a multiple objective linear programming (MOLP) approach based on scalarizing Function for generating common set of weights under the DEA framework. This is an advantageous of the proposed approach against general approaches in the literature which are based on multiple objective nonlinear programming.