Major parts of prayers in Quran are prayers of the prophets. They mostly prayed to pave the way and to facilitate and remove the obstacles of their invitation, while they were doing their prophetic mission. Each prophet in accordance with the situation and atmosphere of his time and society spoke to God. In Holy Quran prophet’s prayers can be considered as a sample of the dialogue of selected people with God, which include valuable and instructive points.

One of the beautiful aspects of religion which is discussed in all religions is praying. Praying leads to the spiritual maturity of people, and to their closeness to God.is afactor for the promotion of mankind and approaching God. The importance of praying has been discussed in all religions. However, the attraction, beauty and completeness of Shiite, supplications, and especially those of Hadrat Ali is so obvious that no comments or discussions are required. This study shows that the Nahjul Balagha is reminiscent of what may be found in the holy Koran and traditions, and this shows the close relationship of Hadrat Ali with the source of divine revelation.

Interpretation of the Qur'an after having passed its first periods and Hadith-as the only source of knowledge-did not play a role in the interpretation of the Quran, needed more resources for a more accurate understanding. In particular, the source has a religious aspect and has a perfect fit with the Qur'an itself for communicating with the infallibles. In search of this matter, we encounter another source or other source for the interpretation of the Qur'an, the prayers of the infallibles. prayers have a large capacity for interpretation. What is this religious education in addition to its main philosophy, that is, the breadth of the need of man in front of the Creator, contains the common aspects of divine teachings with the Qur'an. The themes of some of these prayers are without doubt the interpretation of verses from the Qur'an. The interpretation of the Qur'an based on prayers involves various forms of this: a brief description of the words, the elimination of the ambiguity of verses, the description of general affairs, the expression of the meaning of concepts, the statement of the cause of the content of the verses, and the answer to the questions that may be posed about a verse. Also, in this speech, the commentary points to prayer on the other interpretative voices are considered, and the prayers and interpretations expressed therein are considered as one of the preferences in the contradiction of the interpretive vote.

The article first makes a brief reference to the origin of prayer that is influenced by individual and social beliefs, and then goes into the literary works and how they are expressed by Persian and Russian writers and poets. Prayer literary works are often influenced by the beliefs of writers and poets. There is a lot of information about prayer in ancient and contemporary literary texts. Prayer has many forms, and in prose and poetry literature, it often carries the message of theology and human connection with the divine realm, and in fact the writer and poet are left with a God. Many writers and poets from Iran and Russia have addressed this issue in their works, such as Rumi, Saadi, Hafez, Farabi, Attar, Pushkin, Lermontov, Bonin, and others. Some are based on the themes of the religious texts or under the influence of the wonders of the universe. Persian worship literature begins with the praise of God, such as Ferdowsi's Shahnameh, Sa'adi’ s Golestan and Bustan and Attar's Poetry Divan. Various centuries of Russian literature have also seen works of worship in various forms. The present study deals with the case of the prayer in Alexander Pushkin's poetry, which is influenced by his religious beliefs. Prayer in Pushkin's poetry is in the form of literal praise or praise to God and seeking blessings. His prayers for God, his neighbor, are the duty of poet and poetry. The spiritual peak of Pushkin's poetry is the emergence of the "Divine Verb". He leaves the material world with art and with the help of religious anthropology and then moves on to the supernatural world.

This article consists of the following issues:A. prayers based on their specific characteristics can be categorized from three different points of view:a: Philosophicalb: Experimentalc: MysticalB: prayers are beautiful mystically and are under the supervision of God's permission. Therefore in this view the nature of praying is desirable and the beauty of prayers is not determined by the content of prayers.C: Prayer are classified into four levels:a: Prayer in a transactional way.b: Prayer in the level of understanding the manifestation of God's acts.c: prayers in the level of understanding the manifestation of God's attributes.d: Prayer in the level of understanding the manifestation of God's essence.The article exemplifies the above mentioned issues extracted from "Sahifeh Sajjadieh".

Metaphor is an expressional and explicative art in which two different expressions juxtapose with each other that result in unity (identity) of opposites. This expressive style represents a new interpretation from two different things that reader or listener cannot feel it by its actual use and we can see a lot of these artistic expressions in Qur’ an. The author of this paper tries to evaluate the elegances of metaphor in Qur’ anic prayers. Initially, the writer defines metaphor and evaluated the causes of its excellence over simile; then, paper is divided into two sections namely, extended and implicit metaphors. In each section, the metaphors that are used in Qur’ anic prayers are extracted and then we discuss their aesthetics effects. The thing that can be resulted at the end is that, the most important aesthetics aspects of metaphors in Qur’ anic prayers are: 1-hyperbole; 2-observance of order and congruence in Ayahs and composing a kind of music in discourse in such a way that speech losses its monotony; 3-Personification (characterization in inanimate objects); 4-admiring appearance and the meaning of word. The thing that is important among all of the Qur’ anic Ayahs is the issue of the Ayahs’ style and texture, in such a way that without considering it we cannot get the meaning and concept of the metaphor. The writer of this paper proposes an analysis of all of the Qur’ anic metaphors using inductive and descriptive method to get a better and more tangible result.

Those prays will reinforce the prayers belief and will give him satisfaction and calmness. There are some Sufis which claim that they have the best and easiest prays, on the other hand, people are usually lazy, then as a result there are so many false and imaginary prays available. There should be some criteria to distinguish real prays from the fake ones. Here, in this research, there are some efforts to show the criteria of pray writers and make some proofs to show that those prays are real prays which are from innocent leaders (Imams). The research is basically done by using library data, doing research on Emamieh Pray books, finding proofs, criticize of different prays and making assessment. As a result, everybody who wants to pray by using dua books, get shore all dua are originally from Imams and then he will reach pray goals.

Prayer is man's direct relationship with God, it is calling God and hearing the answer. Prayer is asking God and receiving a gift from the unseen world. Prayer is an educational and human-made program. It is recommended that every Muslim and every human being turn to God and hope to be responded and not be discouraged by divine mercy. Prayer is a precious act of worship in a practical sense, which has been mentioned as a means of fulfilling desires, achieving goals. Prayer is the only way for the servants to communicate with the origin and it is the only means that God Almighty has determined for communication with Himself, if this communication and attention is not to the origin, God Almighty will cut off His special favor. In this case, the slaves lose the ability to accept this provision and lose the need for divine mercy. The Holy Qur'an considers this a kind of arrogance, even from a being who has no status other than the status of a slave.

prayers and supplications to God are one of the most spiritual moments in the life of every theologian and religious person. The prayers and supplications of Masnavi have special verbal actions that indicate their secondary meaning. The theory of "speech action" as one of the most important topics in discourse analysis in the field of linguistics was first proposed by Austin, and after him, Searle proposed a fivefold classification for it. The basis of Searle's theory of speech action is based on the fact that the roles of the verb and the following sentence in the process of discourse can be divided into five categories: expressive, emotional, persuasive, obligatory and declarative actions. In the present study, an attempt has been made to analyze the prayers and supplications of Masnavi based on the method of content analysis, and Searle's theory of speech actions. The results of this research show that each of Rumi's prayers and supplications has a specific speech action among Searle's five categories. The results show that "persuasive action" has higher frequency than the others and "declarative action" is not used.

Shahnama, such as an encyclopedia, embraces different social, ethical, religious, political issues. One of these issues is the prayers placed in all parts of stories of the book. We know that historical background of prayer reaches to appearance of human and during the prayers related, we can understand human way of thinking and his manner for living in different periods, even studying the prayers precisely, it is possible that we aware of natural and environmental status at any time and, thus get acquainted with spiritual and mentality moods of society peoples in any period, for, the book has a especial literary style, and every period of governments in Shahnama has a peculiarity style differed from the others. The prayers express many points about charities and the facts, of deceits and dishonesties. The theme of this essay presents a few various prayers of Shahnama for devotee of literary.