ERFANIYAT DAR ADABE FARSI
Year:2010 | Volume:1 | Issue:3|Papers Count:8

The Ziggurat was built as a place of worship.It has been suggested that the ziggurat was a symbolic representation of the primeval mound upon which the universe was thought to have been created. The ziggurat may have been built as a bridge between heaven and earth. The temples of the Sumerians were believed to be a cosmic axis, a vertical bond between heaven and earth, and the earth and the underworld, and a horizontal bond between the lands. Built on seven levels the ziggurat represented seven heavens and planes of existence, the seven planets and the seven metals associated with them and their corresponding colors. In the pre s ent article, the paradigm that The Seven Beauties (Haft Paykar) of Nezami has been inspired from seven stars of Ziggurat has been discussed.

lbn-e Farez is the greatest sufist poet in Arabic. His poems have been welcomed by many writers and researchers. Although he has had some prose, totally he is considered as one of the most well-known in the culture of Islam and Gnosticism. This paper attempts to provide readers with an introduction to Ibn-e Farez.

There flection of the Alast verse in mystic literature is very vast. However, the extent of using this verse varies from a century to another. It was highly used in 7th century.There is a lovely special meaning in the heart of this verse which has given special newness to mystic literature. For this reason, in this article we firstly offer explanation of literal and idiomatic meaning and background of its application among Iranian gnostics and also its brief study in interpretive scripts. Finally, we see the reflection and investigation of this verse among 7th century eminent writers and poets like Molana, Iraqi, Sa'di, NajmAl-din Razi and Shams-e Tabrizi.

Molavi, the famous poet and gnostic, has highly used Quran's verses in his poems especially in the form ofsymbols. The present article attempts to study the application of Quranic terms and compounds by Molavi. Additionally, the symbolization of prophets' mystic life in Molavi's Mathnavi along with some examples is discussed.

This research briefly shows the rigid relationship and association between the two doubles or in a better word, the joint uniforms, Tasavvof and pure Islamic Intuition with rosy ethereal Tashayo and also represents their common destinies. Main documentation is made on the “Majalesolmomenin”, a valuable book written by Ghazi Noorollah Shoushtari who is a clergyman and dignitary erudite with having many compilations about mysticism, visionary and practical Intuition. In this book he has shown that Tasavvof and Tashayo have been originally together and have also been under constant and various forms of attacks of cruel and dogmatic governors. Therefore, most of the Shieh mystics or mystic tenet Shieh persons with Soofi beliefs had no way except hiding their pectoral faith, pretending to be similar to the rest of the society and acting the so called “reservation”, for this reason perception of the verity beyond all the aspects and more importantly its proof, if not impossible, is very difficult.

the figure of the great prophet and that of the first Imam in Masnavi of Molana The existential and divine dimensions of the great prophet and those of the first Imam have been paid attention to by Iranians during the most eras of history. Masnavi, as one of the valuable Gnostic works of Farsi literature has had a particular glance at the great prophet and the first Imam. In this work, the perfect human is the one who is obeying and following the superior human, the Islam prophet. This paper aims at clarify the figure of these two highly prestigious selected humans from the view of masnavi of molana.

In the range of the Persian literature sky, Shahryar assumed as an unique poet in the fields of monotheism and mysticism that with following of the Hafez’s mysticism academy has been explain his mystical principles. Shahryar’s poetry is rich of his mystical experiences. He has been reach to unique mysticism and achieves the perfection by mixing the mysticism with his life; so, the mystical concepts will be seen throughout of his valuable poetries.This paper aimed to after preliminary note about of the Shahryar’s mysticism and how evolution of mystical tendencies in his vision, we have attempted to study the mystical views and thoughts and the heart senses of this poet in the case of mysticism.

At the most of literature witings, purest, deepest and higest contexts and concepts are created with the power of mind, imagination and emotion, and Persian poem is validated with the contribution of talent, passion, and infatuation of poets. the inherent bond of language and time in the interpretation of life existence and non- existence, is the motive for creation and development of effective and eloquent words. And demonstrates some manifestation of Persian custom, literature and art. Elegy has this Validation and respect and many poets from Roodaki to contemporary poets are famous for kinds of sang poems-especially the elegy (any kind of it).In this paper different and various religious beliefs, social customs, and popular opinions about khaghani shervani's elegies will be considered in order to elaborate a small part of ancient splendid inheritance of persian language in 6th century.