JOURNAL OF LESAN MOBEEN
Year:2021 | Volume:12 | Issue:44|Papers Count:6

tHE Water is the backbone of contemporary Iraqi poetry. The poets use it intensively in their poetry. We rarely find a poetic model without water energies in the poetry of contemporary poets. They are various uses for the concept of water in poetry work such as transition The presence of water in contemporary poetry ranges from a variety of different subjects. The subject of transition is the general theme that is vastly present in Jabouri's poetry. . This research is a journey of criticism in the world of Jabouri's poetic art and an attempt through the descriptive-analytical approach to study the transit passage. The result of this research ultimately indicates that the poet tries in his poetic formulations to obscure the act of crossing and moving. In the poetry of Jabouri, it carries the obsession of crossing and moving. We address transition of the poetry of the poet and the other meanings in this research. The facilitation in this field is the great use of water and its tools in its poetic formations and the presence of water, along with the movement and flow to the poetic scene, which increase its potential and semantic potential.

Adapted from recent changes, developments, and advancements in the contemporary Arabic qasida composing, which has evolved into a different spirit through its inclination to arts such as storytelling and novel writing, it has shifted from reading to audiovisual texts. Poets are trying to contemplate the integration of contemporary qasidas in their poetry via visual arts such as theater and cinema. Inspired by the audiovisual effects of the fine arts, these poets represent different interpretations in contemporary poetry more than ever. These new effects have opened up a different window before critics' eyes to better explore the poet's mental state through cinematic imagery, textrelated sounds, and the representation of open and closed cadres. Contemporary Iraqi poet Mehdi Al Quraishi tries to portray the war in his homeland with his self-consciousness and, by producing audiovisual effects in his poetry collection "Tajaeed al-Ma'a" (Water Wrinkles), illustrating the bitter reality of the war in Iraq. This paper employed a descriptive-analytical method to determine and explain the audiovisual effects in Al Quraishi's poetry. The findings show that Mehdi al-Qurishi has used audiovisual effects to transform the story from a reading text to a non-reading text. Al-Quraishi's insistence on dim, non-transparent light reflects the poet's hurt emotions and turmoil in his homeland. Using the sounds of nature, he has been able to devise an aural background suitable for visual imagery and poetic imagery.

Isotopia is a somatic procedure introduced by Grimas into the new Linguistic field, which is at the Greimas of the semantic symmetry between words or between a set of images and has the characteristic of semantic recognition in the text. Followed by Rasti and the development of the concept of Isotopia, his command is to repeat all the linguistic units in a text to create harmony and cohesion in the form and content. This research came in a critical examination of the approach of Isotopia semantic in contemporary Iraqi poetry and the poetry of Jaafar al-Alaq specifically to reveal the aesthetic and expressive role of Isotopia in this poetic discourse. The research selected the Grimas approach to the concept of Isotopia semantic and was based on the descriptive-analytical approach. The results indicate that Isotopia is a poetic characteristic not in the poetry of Ali Jaafar al-Aalak, and the poet often focuses on constructing poetic images or in shipping the title with semantic energies, which are stimulated in the poetic text to intensify the meanings of the poetic text and enrich the poetic scene. What draws attention to the semantic study of Isotopia in the poetic project in Ali Jaafar al-'Alaq is the combination of the historical, religious and mythic spindle to create a semantic Isotope that would amplify the semantic connotations of poetic text and impart the potential of semantic text.

“ Hoda Barakat” , a Lebanese writer, has particularly considered the metanarrative technique in the novel of “ nightly mail” insofar as the technique is a fundamental element in her narrative experience and has a crucial role in constructing the hidden artistic structure of her narrative text. By means of the owners’ stories of five lost letters, Barakat attracts readers’ attention to the real, assumptive, and utopian world of authorship and involves the readers in the play of the quintet letters. She utilizes metanarrative overlap, metanarrative characters, metanarrative reading, and intertextuality in her novel, and, by so doing, she attracts the readers’ attention to the political-social states of immigrants. She has regarded Arabic human beings with themselves, their homeland, and other Arabic countries. She has discussed some questions about the refuge, torture, rape, and refugees’ destiny in camps to emphasize the protection of their munificence, which is affected by war and the unorganized political state of the Arab world. The study has analyzed the signs of the metanarrative of the text in the novel by deconstruction approach. It aims to find the dominant literary status of the novel and effective internal motivations on the author’ s narrative experience. The most important findings are that the writer recalls assumptive readers in the context purposely and addresses the reader to find her interaction with the reader to participate in the reader in storytelling. This interaction concentrates on reality by breaking down the ambiguity, discovering the author’ s nature hidden in the text, and leading her real novel to modernity by evolving her writing style to innovative imagination.

Melvin Seeman is a sociologist who has been instrumental in analyzing the problem of alienation from a social point of view and has given it particular dimensions and challenges in view of the importance of alienation, a phenomenon that has long been associated with humanity and in the age of globalization, It has deeply and profoundly added itself to literature because literature is the mirror of societies. Since the novel is the embodiment of the human response to this worldview, it is the most open way to understand its problems and reality. However, this phenomenon is still complex and requires further studies. This research, based on a social approach, seeks to elaborate on Al-Kafra's novel analysis of Seeman's theory and the most important aspects of alienation in it, especially the hero, is to say that the problem of alienation is clearly evident in the novel and their behavior, how they deal with the problems of decisionmaking. Their alienation is apparent, and this is not unique to Sophia in Iraq, and even Adrian, who grew up in Lebanon and has fled to Belgium, is suffering from the problem. Furthermore, Adrian's alienation is nonsense and isolationism, and Sophia's alienation is powerless. This research has two theoretical and comparative axes in the theoretical axis, the nature of alienation and its types, in general, and in practical terms, on the social view. It focuses on the sense of powerlessness, meaninglessness, meaninglessness, self-loathing of the main characters and sub-characters of Al-Kaera's novel.

Over the past few decades, Iraq has experienced a bitter series of wars and miseries. A part of this history has been depicted in contemporary Arabic novels. These works of literature serve to display the realities and mysteries of the modern Iraqi man through narrations. Ahmad Saadawi, a contemporary Iraqi novelist, has dealt with wars and their outcomes in his works. His novel “ Indeed He Dreams or Plays or Dies” makes references to different kinds of violence and reconstructs them to assess the reactive behavior of society. What results from this behavior is a set of affective acts of violence that are internalized in people's minds. The author has also staged social fright in a good way. This study is conducted through a descriptive-analytic method to examine the concept of violence in Saadawi’ s novel. For this purpose, different types of violence are analyzed by narrative techniques, and the author’ s objectives of showing violence in that novel are identified. As the results indicate, concrete and physical violence has led to panic and mental intimidation in Iraqi society. The novel conveys this issue to its audience by such narrative techniques as the stream of consciousness, polyphony, and metanarration. Moreover, a combination of imagination and realism is used to express the war-induced violence represented by the elimination of social values, opposition to symbols, tendency for immigration, and desire for segregation from Iraq.