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Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Scientific Information Database (SID) - Trusted Source for Research and Academic Resources
Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    13-14
Measures: 
  • Citations: 

    0
  • Views: 

    249
  • Downloads: 

    92
Abstract: 

One of Molana’s techniques in Masnavi is the use of new derivatives compounds in the rhyme. The aim of Molana in using of these derivatives compounds in the end-rhyme, is affecting the audience. In this essay derivatives compounds such as: Affixes compounds, pseudo-affixes compounds, and short compound adjectives nominative, adjectival compounds, infinitival words have been analyzed. These derivatives compounds in the end-rhyme of Masnavi, created the literariness of his poem, so that we can say that this technique is result of the poetic genius. Our aim in this essay is studying the music function of derivatives compounds in the end-rhyme of Masnavi…

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Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    15-18
Measures: 
  • Citations: 

    0
  • Views: 

    193
  • Downloads: 

    72
Abstract: 

By studying books and articles in this field, one can see the upward trend in the trend from content to psychological research to explain the meaning of alien meaning. Accordingly, the sources are divided into three categories: 1) The sources that are generalized and have focused on the meaning and content of poetry and have considered the creation of "alien meaning" on the basis of semantic transformations: 2) Middling sources that paying attention to meaning and content, also referred to form; 3) Partial sources that look to the form and call the creation of "foreign meaning" as the result of elegant rhetorical techniques and literary techniques.

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Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    1-4
Measures: 
  • Citations: 

    0
  • Views: 

    841
  • Downloads: 

    404
Abstract: 

In the present paper, Kalile and Demne anecdotes relying on King and Barhamnan’s anecdote have been investigated from structural narratologist’s point of view. In the main body of the paper, at first the threefold levels of a narrative text; that is, story, discourse, and narratology have been introduced, then the anecdote of "King and Barhamnan" at the level of "story" and its three- dimensional components; that is, plot, character, and suspense have been studied…

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Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    5-8
Measures: 
  • Citations: 

    0
  • Views: 

    616
  • Downloads: 

    359
Abstract: 

At the level of the form of the poems of Bidel Dehlavi, various elements of language have been misunderstood and led to de-familiarity. "Numerical affinities" are among the most important elements that make it difficult to get meaning. Numerical affinities are words that, in the context of the language of the conjunction, when exerted by a few semantic relationships, are derived from the normal and standard norms of the language…

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Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    9-12
Measures: 
  • Citations: 

    1
  • Views: 

    580
  • Downloads: 

    312
Abstract: 

Mirza Kazem Tabib Yazdi, was a significant but anonymous poet and physician of Qajar Period and from the Hakiman Family of Kerman. He was also in the family tree of the Nazem al - Atebba’ of Kerman. In 1214AS/1250AH, he was born in Yazd. He passed his elementary level of education in Yazd and then moved to Isfahan to further his education. As the number of physicians were quite few during the Qajar Period, Mirza Kazem was ordered by the ruler of Yazd, Jalal aldole the son of Zal alsoltan, to go to Abarkooh to practice medicine and to stay there for the rest of his life. Eventually in the year 1304 HS/1343 HA he died with 90 years of age in Abarkooh…

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Journal: 

فنون ادبی

Issue Info: 
  • Year: 

    1397
  • Volume: 

    10
  • Issue: 

    1 (پیاپی 22)
  • Pages: 

    47-56
Measures: 
  • Citations: 

    0
  • Views: 

    386
  • Downloads: 

    0
Abstract: 

یکی از وجوه شیوایی و بلاغت زبان مولوی عنصر ترکیب سازی است. پژوهشگران بیشتر به ادراک رموز عرفانی مثنوی توجه کرده و از روساخت و زبان مثنوی اشاره وار گذشته اند. یکی از فنون مولوی در انعطاف بخشی به صورت کلام و باروری موسیقی کناری، به کارگیری ترکیب های بکر اشتقاقی در جایگاه قافیه است. بیشتر ترکیب های برساخته او در مکان قافیه به پیروی از اصل برجسته سازی با قاعده افزایی ها و هنجارگریزی های مخصوص است که التذاذ وافر خواننده را از شعرش موجب می شود. بر انگیختن توجه مخاطب به صورت کلام یا نگارگری در عرصه سخن سرایی، افزودن بر بار موسیقیایی کلام و انباشت جای خالی قافیه از مهم ترین انگیزه های مولوی از به کارگیری این فن است. انواع ترکیبات اشتقاقی که مولوی جهت غنای موسیقی کناری و باروری قوافی شعری در مثنوی نمایانده است ذیل عناوینی چون ترکیبات ونددار، ترکیبات شبه ونددار، صفات فاعلی مرکب مرخم، ترکیبات وصفی، ترکیبات مصدری و کلمات پیوندی تحلیل و بررسی شده اند.

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Journal: 

فنون ادبی

Issue Info: 
  • Year: 

    1397
  • Volume: 

    10
  • Issue: 

    1 (پیاپی 22)
  • Pages: 

    57-70
Measures: 
  • Citations: 

    0
  • Views: 

    520
  • Downloads: 

    0
Abstract: 

با نگاهی اجمالی به مطالعاتی که در باب سبک هندی انجام شده است، به صراحت می توان دریافت که بیشتر این پژوهش ها، اصطلاح «معنای بیگانه» و اصطلاحات معادل آن (چون معنای غریب و دور، مضمون سازی های پیچیده و ...) را از عناصر بایسته و از مختصات اصلی سبک هندی، و تلاش بسیار برای یافتن «معنای بیگانه» و مضامین تازه را سیره شعرای سبک هندی می دانند. این جستار، یکی از صناعات کنایه محور و پرکاربرد در غزل صائب با عنوان «استعاره ایهامی کنایه همراه با تشبیه» را که نامی است نونهاده برگونه ای صناعت رایج در سبک هندی، بررسی می کند. این شگرد ادبی، در مقام عنصری سبک ساز، در سراسر دیوان و در بدنه غزلیات صائب به فراوانی دیده می شود؛ چنانکه کمتر غزلی از غزل های اوست که از این صناعت بهره نگرفته باشد. در این شگرد، غالبا کنایه های انسانی، با لحاظ کردن معنایی دیگر، به اشیا، گیاهان و ... نسبت داده می شوند و از این طریق معنایی آشنا را از طریقی ناآشنا و بیگانه بیان می کنند.

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Author(s): 

KHORASANI FAHIME | GHOLAMHOSSEINZADEH GHOLAM HOSSEIN

Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    19-20
Measures: 
  • Citations: 

    0
  • Views: 

    810
  • Downloads: 

    401
Keywords: 
Abstract: 

Nasser Khosro, as one of the figures of the educational and moral literature and one of the philosophers, has a special position in the history of Persian literature and is one of the most famous poets of Khorasani style. What is prominent in this poet's poem is the abundance of ideological, philosophical and moral issues and a remarkable point in the poet's style is the abundance of ideological, philosophical and ethical issues that are prominently seen. Therefore, in this research, some of Nasser Khosrow's odes are examined based on their relationship with conceptual or cognitive metaphor…

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Author(s): 

DORRI NAJMEH | Rezaei Somayeh

Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    21-24
Measures: 
  • Citations: 

    0
  • Views: 

    768
  • Downloads: 

    641
Abstract: 

The true poetry is the birth of the unconscious poet without the intervention of his consciousness, as Plato and Aristotle, the critics of the first poetry, point to this point. If poetry is burst from inside the poet's conscience, the rhyme and all the elements of the poetry are followed by the contents of his poem, rather than the poet, with a figure of a pattern. The outer music of poetry follows the poet's feelings on his tongue, and a poem with a conventional weight of poetry identity is indistinguishable from the point of view of the poetry and intuition; as the poems of the great poets of Persian literature is an example of this harmony between elements of poetry.

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Journal: 

LITERARY ARTS

Issue Info: 
  • Year: 

    2018
  • Volume: 

    10
  • Issue: 

    1 (22)
  • Pages: 

    25-28
Measures: 
  • Citations: 

    0
  • Views: 

    1123
  • Downloads: 

    1313
Abstract: 

Salman Savaji is an influential poet in the 8th century A.D. Saadi Maybe all known as love & Ghazal poet and Hafez as mystical Poet and Ghazal composer. But if without any considering prejudgment, Salman’s Ghazals be compared with Hafez and Saadi, Perhaps in some cases it’s higher as well and so he has been neglected.

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