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Information Journal Paper

Title

Manifestations of the structure of Iraq’s social consciousness in the 21st century in the novel “The Mail of the Gods” by Maitham Al-Khazraji

Pages

  85-100

Abstract

 The relationship between literature and society already exists, and by force; Literature is only literature under specific social conditions. The writer who produces a literary work is, in the beginning and in the end, a social actor coming from a specific society, and the supposed recipient of this literary/social product is another social actor. The general system that embraces this process remains society with its activities and other sub-systems. At the level of the field of work, it is realistically confirmed that the field of literary sociology relates to the writer, literature, and the recipient at the level of society. Maytham Muhammad Ali Kadhim Al-Khazraji is an Iraqi writer and a member of the General Union of Writers in Iraq. He wrote many novels such as: Mail of the Gods, Exodus towards the Possible, The Plight of the Seer, It is Time for Us to Narrate, Murals, Inspired by Najaf, and The Banks of Mesopotamia. In his novel “The Mail of the Gods,” Maytham Al-Khazraji expresses stories from the reality of Iraqi society, especially in the south, crisis-ridden and anxious stories that express people’s suffering, pain, dreams, circumstances, and fears. It adds to it an influential force that gives it creativity and distinction, which draws attention. From the above, we chose the novel “The Mail of the Gods” by the Iraqi writer Maitham Al-Khazraji to study how social references emerged in his novel “The Mail of the Gods”? So we say that references are a literary and social factor that imparts an artistic aesthetic with cultural dimensions We notice that Maitham Al-Khazraji has used his social references extensively, at a very sophisticated level, and in a distinct, precise manner that demonstrated his ability in what poetic narration imposes. The references have become points of human communication that are accepted by all minds without racism. It has turned into an aesthetic dimension intended as suggestive semantic symbols for communication and admiration. He linked his social references to his personal circumstance, the events he lived and the experiences he went through in his life, so he permitted his groans and pleasures. We sensed the beauty of artistic evocation in the novel “The Mail of the Gods,” with its strong language, lyrical style, and poetic images that have the power to influence the soul of the recipient. Among the most important results drawn from this study: a close relationship between Al-Khazraji’s social experiences, collective consciousness, magical causality, contradiction and alienation, and actual and possible Awareness. In this article, we rely on the descriptive analytical approach according to the “Mail of the Gods” group.

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