TECHNICAL SIMILARTY BETWEEN PAINTINGS OF DEITLAHM

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FANAEI ZAHRA; MOJABI S.A.

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Journal Paper

Paper Information

Journal: ISLAMIC ART Year:2007 | Volume:3 | Issue:6 Page(s): 111-128

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Information Journal Paper

Title

TECHNICAL SIMILARTY BETWEEN PAINTINGS OF DEITLAHM

Author(s)

FANAEI ZAHRA | MOJABI S.A. | Issue Writer Certificate

Keywords

SAFAVID ERAQ2

PERSIAN PAINTINGQ2

ARMENIAN PAINTINGQ3

BEITLAHMQ3

Abstract

Armenians immigrated to Isfahan in the reign of Shah Abbas the great and in order to develop their material and spiritual life in the Safavid capital, they felt a necessity to maintain their cultural principals. Therefore, after gaining permission from the Safavid court and considering their need for a place for worship, they began to build churches. The church of BEITLAHM in the Jolfa district of Isfahan holds astonishing paintings that are regarded as valuable and of highly importance. The dome of this church which is located over the prayer room is ornamented with appealing paintings, the roof, however, is covered with flowers and leaves drawn in the Persian style and similar to the Safavid palaces. The architecture of this building is completely similar to other religious buildings of this era. The paintings of this church were performed by Armenian artists, moreover, in these paintings, Persian art and Armenian art are combined and an exquisite and fine art is shaped. The main focus of this article is the technical similarity between the paintings of BEITLAHM church and the Persian miniatures in the SAFAVID ERA. This article is organized according to the following aims:1-Understanding the characteristics of Armenian religious paintings and Persian miniatures in the SAFAVID ERA. 2-Analyzing the technical similarities between the paintings of BEITLAHM church and the Persian miniatures.Questions answered throughout the article1-What are the characteristics of Armenian religious paintings and Persian miniatures in the SAFAVID ERA?2-How can these similarities exist between Armenian religious paintings and Persian miniatures?The compilation of subject matter and data used in this article is extracted from library and record materials and the conduction of the theme is descriptive, historical and analytical. Furthermore, an interview with Professor Setrak Nazarian (a monument repairman) and professor Leon Minasian (Historian) was also used in accomplishing this article. For the conduction of this article and verification of the hypotheses, an analytical and descriptive procedure is carried out.

Cites

THE IMPRESSION OF SAFAVID ARCHITECTURE ON ISFAHAN CHURCHES DECORATION

References

نشانی دهلوی: جلدهای احمد مهر کن (قدیمی ترین ادیار یا وانکهای ارامنه در ایران)

Cite

APA: Copy

FANAEI, ZAHRA, & MOJABI, S.A.. (2007). TECHNICAL SIMILARTY BETWEEN PAINTINGS OF DEITLAHM. ISLAMIC ART, 3(6), 111-128. SID. https://sid.ir/paper/136755/en

Vancouver: Copy

FANAEI ZAHRA, MOJABI S.A.. TECHNICAL SIMILARTY BETWEEN PAINTINGS OF DEITLAHM. ISLAMIC ART[Internet]. 2007;3(6):111-128. Available from: https://sid.ir/paper/136755/en

IEEE: Copy

ZAHRA FANAEI, and S.A. MOJABI, “TECHNICAL SIMILARTY BETWEEN PAINTINGS OF DEITLAHM,” ISLAMIC ART, vol. 3, no. 6, pp. 111–128, 2007, [Online]. Available: https://sid.ir/paper/136755/en

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