SELJUQ AND SAFAVID METALWORK: A STUDY ON FROM AND CONTENT

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NOWRUZITALAB ALI REZA; AFROOGH MOHAMMAD

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

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Journal: ISLAMIC ART Year:2009 | Volume:6 | Issue:12 Page(s): 113-128

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Information Journal Paper

Title

SELJUQ AND SAFAVID METALWORK: A STUDY ON FROM AND CONTENT

Author(s)

NOWRUZITALAB ALI REZA | AFROOGH MOHAMMAD | Issue Writer Certificate

Keywords

SELJUQ ERAQ1

SAFAVID ERAQ2

METALWORKQ2

TECHNIQUEQ2

DECORATIONQ4

FROM AND CONTENTQ2

Abstract

Persian art specifically METALWORK has reflected the philosophies and perspectives of religion and tradition throughout many historical periods. The Seljuq and SAFAVID ERAs are amidst the golden ages of Persian art. These glorified phases in Persian history established independent and autonomous sovereignties and were significant in regard with their tendency towards Sunni and Shi'ah branches of Islam. Artworks from these two eras are preserved in museums and collections worldwide such as the National museum of Iran, ChehelSotun Isfahan, Astan Qods Razavi, Art museum of Cleveland, Hermitage museum, Metropolitan museum, and Dara-al Zhar Al-Eslamieh museum in Kuwait.These works exclusively reflect the religion and the socio-political acts of the age; henceforward, the focus of this paper will be conducting a contrastive analysis on a number of collected works; therefore, the metal work of the Safavid and Seljuk eras are studied in terms of form, embellishment and application. The two periods behold many cultural and artistic commonalities, however, variation is perceivedin the classification of decorative elements such geometric patterns, herbal and animal designs, applied TECHNIQUEs and the use of material and substances; further more, the usage of Persian in the inscriptions of the SAFAVID ERA and contrastively Arabic in the SELJUQ ERA can be concluded as an additional distinction.Aims of the Research:1- Understanding the influence of religiOUSelements on the METALWORK of Seljuq and SAFAVID ERAs.2- Recognizing the decorative features and contextual meanings hidden within the artwork.Research Questions:1- Do the embellishments and inscriptional meanings of the artworks reflect the religion of the age?2- What are the elements of form, DECORATION and content in the METALWORK of Seljuq and SAFAVID ERAs?

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APA: Copy

NOWRUZITALAB, ALI REZA, & AFROOGH, MOHAMMAD. (2009). SELJUQ AND SAFAVID METALWORK: A STUDY ON FROM AND CONTENT. ISLAMIC ART, 6(12), 113-128. SID. https://sid.ir/paper/136821/en

Vancouver: Copy

NOWRUZITALAB ALI REZA, AFROOGH MOHAMMAD. SELJUQ AND SAFAVID METALWORK: A STUDY ON FROM AND CONTENT. ISLAMIC ART[Internet]. 2009;6(12):113-128. Available from: https://sid.ir/paper/136821/en

IEEE: Copy

ALI REZA NOWRUZITALAB, and MOHAMMAD AFROOGH, “SELJUQ AND SAFAVID METALWORK: A STUDY ON FROM AND CONTENT,” ISLAMIC ART, vol. 6, no. 12, pp. 113–128, 2009, [Online]. Available: https://sid.ir/paper/136821/en

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