Analysis of Realism by Jasper Johns's Flag
Relying on Mehdi Hosseini's Definitions of Realism

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Rafiei Rad Reza

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Journal Paper

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Journal: Year:2021 | Volume:6 | Issue:1 (پیاپی 7) Page(s): 115-123

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Information Journal Paper

Title

Analysis of Realism by Jasper Johns's Flag Relying on Mehdi Hosseini's Definitions of Realism

Author(s)

Rafiei Rad Reza | Issue Writer Certificate

Keywords

RealismQ4

Mehdi HosseiniQ4

Jasper JohnsQ4

Hyper-RealismQ4

PretendQ4

Abstract

Realism claims the explicit and immediate explanation of the fact. The variety of methods, materials, the role of philosophy and notion has changed the approach of humans to the facts and has led to a lack of definition and definitive formulation of the style of Realism. With the transformation of relations between production and the proletariat, which was based on the production of major industries, to the world of Cagnitaria, which relies on the mass production of information, software, and computers, the artists' view of Realism has also changed. American artist, Jasper Johns, is one of the artists whose work has been explored by art critics of Realism. On the other hand, several articles related to the definition of Realism have been presented, one of the most complete of them is Mehdi Hosseini's article, which stands out based on the evidence of art history and analysis of works, formulated in the article "Realism In Definition,” and in seven paragraphs Introduces Realism. The question is, given the fundamental changes in the concept of Realism in the contemporary world, how can Jasper's flag explain current Realism based on Mehdi Hosseini's definitions? This article has been done by descriptive-analytical and comparative method, using library studies and adapting the seven components of the above definition to the contemporary work of Jasper Johns to benefit from indigenous views and theories about art schools. The results show that based on the four components of "realist expression, raising the quality of objectivity, and opposition to the concept of form deformation,” "realist expression in opposition to overt and covert idealism,” "Realism with political content in the service of the ruling system" and " Exaggeration in the objective expression of reality »The contemporary Realism in this work can be expressed

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