EXPLORING OF INNOVATIVE AND VISUAL CREATIVE ASPECTS IN GHASEMISHAHNAMA

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SHARIF ZADE SEYD ABDOLLMAJID; RAJABI MOHAMMAD ALI; AYATOLLAHI HABIBOLLAH

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Journal: NEGAREH Year:2012 | Volume:7 | Issue:22 Page(s): 38-55

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Information Journal Paper

Title

EXPLORING OF INNOVATIVE AND VISUAL CREATIVE ASPECTS IN GHASEMISHAHNAMA

Author(s)

SHARIF ZADE SEYD ABDOLLMAJID | RAJABI MOHAMMAD ALI | AYATOLLAHI HABIBOLLAH | Issue Writer Certificate

Keywords

BOOK DESIGNQ2

ILLUSTRATIONQ2

COMPOSITIONQ2

PAGE LAYOUTQ2

ZAFARNAMEH (THE EPISTLE OF VICTORY)Q2

PAST EPOPEE (SHAHNAMEMAZI)Q2

TEYMOURQ1

SHAH ESMAIL IQ2

GHASEMIGONABADIQ2

Abstract

With the appearance of Safavid dynasty that Iranian independence interwoven with Shia thought, formed governmental foundation, Epopee Writing was considered aiming expression of authority and courage of Safavid Kings as well as legitimacy of Shia thought i.e.Heidari Invasion (HamlehHeidari), authored by MirzaBazel and Past Epopee (ShahnameMazi) by GHASEMIGONABADI are two sampels of this type. This paper tries to study a special version of Past Epopee (ShahnameMazi) which is accompanied with another heroic epopee named Zafarnameh (The Epistle of Victory) (Timor Nameh) by Hatefi in a special form. This research aims to investigate the particular features of these ILLUSTRATIONs like: PAGE LAYOUT, COMPOSITION and production motivations of this unique version. This article have been written by descriptive-analytical research method and the information was gathered using the library. The results show a modern PAGE LAYOUT in BOOK DESIGN in writing verse and poem in vertical tables and margins simultaneously tries to indicate Timour and Shah Esmail personalities as high-rank authority in COMPOSITION. On the other hand, the creator of art work in order to show Safavid substitution with Timurid, has deliberately drawn Shah Ismail I, beside Timur and also has emphasized on their superiority and great inspiration in COMPOSITION.

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APA: Copy

SHARIF ZADE, SEYD ABDOLLMAJID, RAJABI, MOHAMMAD ALI, & AYATOLLAHI, HABIBOLLAH. (2012). EXPLORING OF INNOVATIVE AND VISUAL CREATIVE ASPECTS IN GHASEMISHAHNAMA. NEGAREH, 7(22), 38-55. SID. https://sid.ir/paper/142943/en

Vancouver: Copy

SHARIF ZADE SEYD ABDOLLMAJID, RAJABI MOHAMMAD ALI, AYATOLLAHI HABIBOLLAH. EXPLORING OF INNOVATIVE AND VISUAL CREATIVE ASPECTS IN GHASEMISHAHNAMA. NEGAREH[Internet]. 2012;7(22):38-55. Available from: https://sid.ir/paper/142943/en

IEEE: Copy

SEYD ABDOLLMAJID SHARIF ZADE, MOHAMMAD ALI RAJABI, and HABIBOLLAH AYATOLLAHI, “EXPLORING OF INNOVATIVE AND VISUAL CREATIVE ASPECTS IN GHASEMISHAHNAMA,” NEGAREH, vol. 7, no. 22, pp. 38–55, 2012, [Online]. Available: https://sid.ir/paper/142943/en

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