THE PLACE OF HORSE IN MOHAMAD FARSHCHIAN’S PAINTING’S ART WORKS

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REZAI NABARD A.

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Journal: NEGAREH Year:2009 | Volume:4 | Issue:12 Page(s): 71-94

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Title

THE PLACE OF HORSE IN MOHAMAD FARSHCHIAN’S PAINTING’S ART WORKS

Author(s)

REZAI NABARD A. | Issue Writer Certificate

Keywords

HORSEQ3

PSYCHOLOGYQ2

SEMIOLOGYQ2

SYMBOLQ2

MAHMOUD FARSHCHIANQ2

PAINTINGQ2

Abstract

HORSE in pre Islamic and in Myths, religious archaic texts, Shah nameh, historic periods and remainder works, including very vital and valuable function and always has been praised . HORSE in that period, has had customic, economic, battle, banquet,hunt, transformational , decorational, ceremonies and etc functions . Also in post Islamic, point to HORSE in some verses of Koran, Iranian – Islamic texts and HORSE books (Faras nameh), expresses good nature and importance of this creature. Generally the motif of HORSE in Iranian culture and art history, particularly in Persian PAINTING, has had a superior and worthy place. Also in MAHMOUD FARSHCHIAN,s works HORSE has been apparented in different purporstes. But the aspect of discrimination of HORSE motif in Farshchian works, in addition to functions of past periods and recreation of works, is presence of SYMBOLic, psychological and special artistic expression of this valuable creature. HORSE in his Works, is free from every function, profit and aim, and has shown as sign and SYMBOL of soul, rebel, refinement, freedom, sublimity of soul, and most profound meanings of secret in human existence that less has been seen in past works. In this article, at first, place of HORSE in historical periods and then in MAHMOUD FARSHCHIAN works has studied. Hypothesis of this article is based on emphasizing on creative view and in particulary express of PSYCHOLOGY and SEMIOLOGY of HORSE in MAHMOUD FARSHCHIAN works. The theory of research has written based on descriptive -analysis method and also aim of this article, is the survey about position of HORSE and its artistic expression and decoding of psychological and Semiotic concepts, where has appeared in various subjects of Farshchian works.

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APA: Copy

REZAI NABARD, A.. (2009). THE PLACE OF HORSE IN MOHAMAD FARSHCHIAN’S PAINTING’S ART WORKS. NEGAREH, 4(12), 71-94. SID. https://sid.ir/paper/143062/en

Vancouver: Copy

REZAI NABARD A.. THE PLACE OF HORSE IN MOHAMAD FARSHCHIAN’S PAINTING’S ART WORKS. NEGAREH[Internet]. 2009;4(12):71-94. Available from: https://sid.ir/paper/143062/en

IEEE: Copy

A. REZAI NABARD, “THE PLACE OF HORSE IN MOHAMAD FARSHCHIAN’S PAINTING’S ART WORKS,” NEGAREH, vol. 4, no. 12, pp. 71–94, 2009, [Online]. Available: https://sid.ir/paper/143062/en

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