READING THE SEMANTIC HORIZON OF CUBISTIC PHOTOS OF DAVID HOCKNEY

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HASANPUR MOHAMAD; SHEKARI FARZAD

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Journal: Naghsh Mayeh Year:2013 | Volume:5 | Issue:16 Page(s): 63-70

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Information Journal Paper

Title

READING THE SEMANTIC HORIZON OF CUBISTIC PHOTOS OF DAVID HOCKNEY

Author(s)

HASANPUR MOHAMAD | SHEKARI FARZAD | Issue Writer Certificate

Keywords

POSTMODERNISMQ2

SCULPTORQ2

SCULPTUREQ1

LIGHTQ2

Abstract

In the postmodern period, we perceive the arrival of creativity and innovation in the fields of art that the technology has caused these developments. During the postmodern pluralism and with the endless extent of facilities, many methods can be seen in the fields of art that have caused the use of industrial products and factorial supplies instead of 72 traditional materials and artifacts. The role and importance of LIGHT in the different fields and branches of art is clear to everyone. SCULPTORs are aware of the role of LIGHT in creating balance and harmony and they always considered that. How to use the LIGHT in the structure of work can be effective in calling the audience. In the middle of 20th century, we see a new perspective in the works of some artists whom had applied the electric LIGHT device as the material and content and even as the aesthetic approach of their works.This study is conducted based on the descriptive- analytical approach and data collection is done by library method. This article is to study the status of LIGHT as an effective and dependent phenomenon in some of SCULPTOR's works of postmodern period in respect of art element in this era. At the end of this article it can be understood that postmodern artist is able to overcome the technological world and its tools in the field of SCULPTURE and he has changed the LIGHT element which has an immaterial foundation to a dependent and controllable element and has displayed it tangibly in the framework of a statue.

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APA: Copy

HASANPUR, MOHAMAD, & SHEKARI, FARZAD. (2013). READING THE SEMANTIC HORIZON OF CUBISTIC PHOTOS OF DAVID HOCKNEY. NAGHSH MAYEH, 5(16), 63-70. SID. https://sid.ir/paper/184079/en

Vancouver: Copy

HASANPUR MOHAMAD, SHEKARI FARZAD. READING THE SEMANTIC HORIZON OF CUBISTIC PHOTOS OF DAVID HOCKNEY. NAGHSH MAYEH[Internet]. 2013;5(16):63-70. Available from: https://sid.ir/paper/184079/en

IEEE: Copy

MOHAMAD HASANPUR, and FARZAD SHEKARI, “READING THE SEMANTIC HORIZON OF CUBISTIC PHOTOS OF DAVID HOCKNEY,” NAGHSH MAYEH, vol. 5, no. 16, pp. 63–70, 2013, [Online]. Available: https://sid.ir/paper/184079/en

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