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Title

HUMAN AND ANIMAL FIGURES IN ISLAMIC TOMBS PAINTINGS

Pages

  83-92

Abstract

 Building the TOMBs for the leading character is one of the Iranians ancient traditions particularly continued for the religious leader after the Islam dominance in this territory. The tendency for building an elegant construction able to attract any viewer, made such monuments as an area displaying the types of traditional and custom arts among which painting stands out, with thousand years of background. The painting would be a prominent tool in order to express the stories and the folk’s feelings.Contrary to the mosques frequently erected and repaired by the governments and their local agents, the sepulchral monuments (like the ones built for Imam’s off springs) have been constructed and decorated by locals. The current paper tend to answer the question how the relation between the WALL PAINTING and sepulchral architecture could have been formed during the Islamic era (particulary Safavid and Qajar). Such a question stems from the fact that those two types of arts are inconsistent with the fundamental Islamic thoughts and then they are much influenced by the culture and art obtained from the era prior to Islam. The approach of this study is descriptive together with revoking to some historical documents and writings. The method of collecting the information is depending on the library studies together with searching on the internet.

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    APA: Copy

    BOLOUHAR, BEHRANG. (2011). HUMAN AND ANIMAL FIGURES IN ISLAMIC TOMBS PAINTINGS. NAGHSH MAYEH, 4(8), 83-92. SID. https://sid.ir/paper/184169/en

    Vancouver: Copy

    BOLOUHAR BEHRANG. HUMAN AND ANIMAL FIGURES IN ISLAMIC TOMBS PAINTINGS. NAGHSH MAYEH[Internet]. 2011;4(8):83-92. Available from: https://sid.ir/paper/184169/en

    IEEE: Copy

    BEHRANG BOLOUHAR, “HUMAN AND ANIMAL FIGURES IN ISLAMIC TOMBS PAINTINGS,” NAGHSH MAYEH, vol. 4, no. 8, pp. 83–92, 2011, [Online]. Available: https://sid.ir/paper/184169/en

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