PRESENCE OF ARCHETYPES IN IRANIAN PAINTING: (CASE STUDY: LIGHT, SHADOW, COLOR)

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ELYASI BEHROOZ; GHADERNEJAD MEHDI

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Journal: Naghsh Mayeh Year:2012 | Volume:5 | Issue:12 Page(s): 95-104

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Information Journal Paper

Title

PRESENCE OF ARCHETYPES IN IRANIAN PAINTING: (CASE STUDY: LIGHT, SHADOW, COLOR)

Author(s)

ELYASI BEHROOZ | GHADERNEJAD MEHDI | Issue Writer Certificate

Keywords

ARCHETYPESQ2

IRANIAN PAINTINGQ2

COLORQ2

LIGHTQ3

SHADOWQ2

Abstract

Iranian painting is an art that gained its thought roots from a distant past and its three prominent features, that is being illuminated; being COLORed and absence of SHADOW had been formed based on an eternal thinking and repeated all the time. These features are according to archetypal thinking method of C.G.Jung and could analyze them based on this method, because Young had considered oriental culture in making this theory. The most important results in this study indicates that LIGHT or as Sohrwardi said, Nor-al-Anwar, had been the axis of Iranian thought from the distant past and in different times had been get along with rituals and religion, and philosophers tried to explain relationship between LIGHT and God (Wajeb-Al- Wojod). Illuminated thought, followed by illuminated and transparent COLORs that visualized in IRANIAN PAINTING and SHADOW as the instinctive and animal aspects of human has been eliminated. Archetypal attitude in one hand has root on mythology and literature and on the other hand in ritual and religion. Philosophers and thinkers explain it and its effect on Iranian and Islamic painting is evident; although these philosophies don’t speak about painting frankly. In archetypal analysis view, creativity appears very slowly in painting. It means, that each painting repeats previous elements of mysticism, philosophy and pictorial traditions but is a unique work.

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APA: Copy

ELYASI, BEHROOZ, & GHADERNEJAD, MEHDI. (2012). PRESENCE OF ARCHETYPES IN IRANIAN PAINTING: (CASE STUDY: LIGHT, SHADOW, COLOR). NAGHSH MAYEH, 5(12), 95-104. SID. https://sid.ir/paper/184172/en

Vancouver: Copy

ELYASI BEHROOZ, GHADERNEJAD MEHDI. PRESENCE OF ARCHETYPES IN IRANIAN PAINTING: (CASE STUDY: LIGHT, SHADOW, COLOR). NAGHSH MAYEH[Internet]. 2012;5(12):95-104. Available from: https://sid.ir/paper/184172/en

IEEE: Copy

BEHROOZ ELYASI, and MEHDI GHADERNEJAD, “PRESENCE OF ARCHETYPES IN IRANIAN PAINTING: (CASE STUDY: LIGHT, SHADOW, COLOR),” NAGHSH MAYEH, vol. 5, no. 12, pp. 95–104, 2012, [Online]. Available: https://sid.ir/paper/184172/en

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