COMPARATIVE STUDY OF THREE TABLEAUS ATTRIBUTED TO JAFAR-E-CHEHREHNEGAR, AN ARTIST OF PAHLAVI ERA

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Samanian Kourosh; Abasian hamideh

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Paper Information

Journal: JOURNAL OF VISUAL AND APPLIED ARTS Year:2016 | Volume:9 | Issue:17 Page(s): 107-121

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Title

COMPARATIVE STUDY OF THREE TABLEAUS ATTRIBUTED TO JAFAR-E-CHEHREHNEGAR, AN ARTIST OF PAHLAVI ERA

Author(s)

Samanian Kourosh | Abasian hamideh | Issue Writer Certificate

Keywords

Pahlavi eraQ1

PortraitsQ1

portrait men of theNational ParliamentQ1

Jafar-e-Chehreh negarQ1

Abstract

Login New techniques, painting affected West, in the late Qajar era, opened a new chapter on Pahlavi of the visual arts, That on one side the art of the West and the periods before the Qajar, roots, and on the other hand, is the mirror of developments and orientation of Age itself. One particular artistic trends of the period, making images of the political elite who commissioned them, in the form of photographs or Portraits that can be created. This type of work, culminating in the Revolution, and then, in the next period continued until after the formation of the National Assembly, the specific type of art became. Despite numerous studies on the life and works of artists, including Kamal-al-molk and Ali Mahmoudi, visual and technical features Portraits of men National Assembly is still unknown. Therefore, the main goal of this research is to decode the working certificate of Jafar-e-chehrenegar, artists of movement art, and knowledge of the techniques employed in this portrait. Research method is descriptive-historical. In this direction, three examples of Jafar-e-chehrehnegar in the Museum of Parliament, to historical and comparative studies is selected. As a result of studies on Jafar-e-Chehrehnegar’ s works, which are the Portraits of Parliament members, It was found that all three tableaus reconstructed of image. can be viewed in this way he will continue to be Kamalolmolk. Therefore, it can be concluded that the J. Chehrehnegar, learned painting to mentor a student’ s Kamalolmolk or he was student of himself that his name has been among their pupils is unknown.

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APA: Copy

Samanian, Kourosh, & Abasian, hamideh. (2016). COMPARATIVE STUDY OF THREE TABLEAUS ATTRIBUTED TO JAFAR-E-CHEHREHNEGAR, AN ARTIST OF PAHLAVI ERA. JOURNAL OF VISUAL AND APPLIED ARTS, 9(17 ), 107-121. SID. https://sid.ir/paper/242674/en

Vancouver: Copy

Samanian Kourosh, Abasian hamideh. COMPARATIVE STUDY OF THREE TABLEAUS ATTRIBUTED TO JAFAR-E-CHEHREHNEGAR, AN ARTIST OF PAHLAVI ERA. JOURNAL OF VISUAL AND APPLIED ARTS[Internet]. 2016;9(17 ):107-121. Available from: https://sid.ir/paper/242674/en

IEEE: Copy

Kourosh Samanian, and hamideh Abasian, “COMPARATIVE STUDY OF THREE TABLEAUS ATTRIBUTED TO JAFAR-E-CHEHREHNEGAR, AN ARTIST OF PAHLAVI ERA,” JOURNAL OF VISUAL AND APPLIED ARTS, vol. 9, no. 17 , pp. 107–121, 2016, [Online]. Available: https://sid.ir/paper/242674/en

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