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Information Journal Paper

Title

An Analysis on “ Painting As Image” Based on Deleuze’ s Explanation of the Types of Images and Correlated Conditions of Their apparition

Pages

  59-70

Abstract

 Problem statement: The question of the research is: what are the types of Color:#ff0078">Images and their correlated conditions of apparition in Deleuze’ s ideas? Research method: The research method is qualitative content analysis. Research objective: The purposes of the article are to clarify two types of Color:#ff0078">Image, the conditions of their apparition as well as to determine the type of Color:#ff0078">Image of a Color:#ff0078">Painting in accordance with its conditions. It is assumed that determining the conditions of their apparition helps to determine its type. So, to clarify the types of Color:#ff0078">Images, the conditions of their apparition are studied. A Color:#ff0078">Painting by a contemporary Iranian artist has been reexamined for explanation of the issue. Conclusion: For Deleuze, there are two types of Color:#ff0078">Images: the movement-Color:#ff0078">Image and TimeColor:#ff0078">Image. Movement-Color:#ff0078">Image is comprised of perception-Color:#ff0078">Image, action-Color:#ff0078">Image and affection- Color:#ff0078">Image. Time-Color:#ff0078">Image is also composed of recollection-Color:#ff0078">Image, dream-Color:#ff0078">Image, the thoughtColor:#ff0078">Image also crystal-Color:#ff0078">Image. The first type of Color:#ff0078">Image focuses on moving, controlling and reflecting, absorbing the effects of things, depending on particular actions. In modern period the Time-Color:#ff0078">Image is the basis of the genesis of pure Time. The Time-Color:#ff0078">Image is the type of Color:#ff0078">Image with a coalescence of virtual and real Color:#ff0078">Images formed by the axis of Time on the basis of the genuine relations of Forces and their affects. It is formed by the spontaneous activity of diagram through the indiscernible and indeterminate zones that is impossibility. the research path shows the condition of apparition of Color:#ff0078">Painting as Color:#ff0078">Image, like “ Untitled” that are based on Color-Force, Color-space, Color-Light, and Time according to Color relations. These conditions, show the arrangement of the coalescence of the actual Color:#ff0078">Image of the human being around the artist with the virtual Color:#ff0078">Image of ascension to emphasize the status of the contemporary man. The final Color:#ff0078">Image as Time-Color:#ff0078">Image brings about the possibility to think about the new meaning to the concept of man.

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    APA: Copy

    AFARIN, FARIDEH. (2020). An Analysis on “ Painting As Image” Based on Deleuze’ s Explanation of the Types of Images and Correlated Conditions of Their apparition. BAGH-E NAZAR, 17(87 ), 59-70. SID. https://sid.ir/paper/370784/en

    Vancouver: Copy

    AFARIN FARIDEH. An Analysis on “ Painting As Image” Based on Deleuze’ s Explanation of the Types of Images and Correlated Conditions of Their apparition. BAGH-E NAZAR[Internet]. 2020;17(87 ):59-70. Available from: https://sid.ir/paper/370784/en

    IEEE: Copy

    FARIDEH AFARIN, “An Analysis on “ Painting As Image” Based on Deleuze’ s Explanation of the Types of Images and Correlated Conditions of Their apparition,” BAGH-E NAZAR, vol. 17, no. 87 , pp. 59–70, 2020, [Online]. Available: https://sid.ir/paper/370784/en

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