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Information Journal Paper

Title

Explanation the meaningful relation between ornamental pattern and structural in tower tombs in khorasan (Qaznavi and Saljoughi era

Pages

  103-125

Abstract

 The relationship between texture, pattern and massing is a fundamental question in architecture. Classical architecture, as Leon Battista Alberti states in De Re Ae dificatoria, is first developed through massing and Structure; texture is added afterwards to provide a bold massing and beautiful Structure (Rietherand and Baerlecken, 2008: 2). This hierarchy has of course been challenged throughout the history of archite cture. Review of the literature shows that most researchers have focused on Islamic ornamentation pattern based on the interior vision, in which the effect of exterior pattern is not considered. This paper will provide a different view of the relationship between massing and texture in Persian architecture through the study of Tower tomb in Khorasan, built in Qaznavi and Seljuq era. After that, the effect of Ornamental pattern on shaping building Structure is considered. Since this research is done based on mathematic and geometric systems, the methodology in this paper is deductive reasoning. One of the main important results of this research is the meaningful relationship between Ornamental pattern and Structure in Iranian architecture. According to some researchers, the geometrical ornamentations of Islamic architecture appeared as the result of visual bans in Islamic era that led to the tendency of artists towards these patterns. Regarding the geometrical ornamentations of Islamic architecture, people like Ardalan, Bakhtiar, Burckhardt, and Nasr have conducted studies on their metaphysical aspect; and others, such as Cromwell and Critchlow, have studied their mathematical and geometrical aspects, through which the deep knowledge applied in the architecture of Iranian buildings can be revealed (Kharazmi, 2013: 14). Islamic historians like Beihaqi, Ibn-e Khaldoon, and Khajeh Rashid Aldin have noted useful ideas about architecture and architects, including the fact that architects had been aware of mathematics and geometrical science and considered planning and design before building any Structure (Kiani, 1997: 23). In this study, it is attempted to investigate the relationship between the hidden geometry of pattern with plan and the general Structure of buildings in pylons and Tower tombs through analyzing the drawing methods of this hidden geometry of patterns and Girihs on the body of the building.

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  • Cite

    APA: Copy

    Rezazadeh, Mahsa, ETESAM, IRAJ, KAMELNIA, HAMED, & Mirzakuchak Khoshnevis, Ahmad. (2020). Explanation the meaningful relation between ornamental pattern and structural in tower tombs in khorasan (Qaznavi and Saljoughi era. JOURNAL OF RESEARCHES IN ISLAMIC ARCHITECTURE, 8(1 (26) ), 103-125. SID. https://sid.ir/paper/376951/en

    Vancouver: Copy

    Rezazadeh Mahsa, ETESAM IRAJ, KAMELNIA HAMED, Mirzakuchak Khoshnevis Ahmad. Explanation the meaningful relation between ornamental pattern and structural in tower tombs in khorasan (Qaznavi and Saljoughi era. JOURNAL OF RESEARCHES IN ISLAMIC ARCHITECTURE[Internet]. 2020;8(1 (26) ):103-125. Available from: https://sid.ir/paper/376951/en

    IEEE: Copy

    Mahsa Rezazadeh, IRAJ ETESAM, HAMED KAMELNIA, and Ahmad Mirzakuchak Khoshnevis, “Explanation the meaningful relation between ornamental pattern and structural in tower tombs in khorasan (Qaznavi and Saljoughi era,” JOURNAL OF RESEARCHES IN ISLAMIC ARCHITECTURE, vol. 8, no. 1 (26) , pp. 103–125, 2020, [Online]. Available: https://sid.ir/paper/376951/en

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